- Home
- Performing Arts
- Film & Video
- Regional Cinema in the Philippines (The Archipelagic Imagination)
Regional Cinema in the Philippines (The Archipelagic Imagination)
List Price:
$24.95
| Expected release date is Dec 31st 2026 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Katrina Ross A. Tan
Format:
Paperback
Pages:
240
Publisher:
Edinburgh University Press (December 31, 2026)
Imprint:
Edinburgh University Press
Release Date:
December 31, 2026
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9781399529808
ISBN-10:
1399529803
Weight:
16oz
Dimensions:
6.14" x 9.21"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260423165242-20260423.xml
Folder:
TWO RIVERS
List Price:
$24.95
Country of Origin:
United States
Pub Discount:
65
As low as:
$19.21
Publisher Identifier:
P-PER
Discount Code:
A
Overview
The introduction of low-cost digital technology in filmmaking gave rise to new voices, styles, and narratives in cinema. The book examines the unprecedented emergence of regional filmmaking scattered across the Philippine archipelago outside Metro Manila. It offers a much-needed critical lens in studying these emergent films and practices in Filipino cinema in the twenty-first century. It demonstrates how regional cinema offers a new way of imagining the nation and the national cinema as an archipelago, that is, as diverse yet connected through the currents of histories and cultures. In the book, a reconceptualized framework for national cinema is offered, one that anchors on multiplicities, heterogeneity, and diversity. The new imaginary of archipelago in understanding cinema and the nation opens possibilities for a change towards a decolonizing understanding of cinema and an egalitarian and inclusive social relation in the national spaces.









