Rayner Hoff (The Life of a Sculptor)
List Price:
$49.99
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Deborah Beck
Format:
Paperback
Pages:
280
Publisher:
University of New South Wales Press (September 1, 2017)
Language:
English
ISBN-13:
9781742235325
ISBN-10:
1742235328
Weight:
31.2oz
Dimensions:
7.25" x 9.75" x 0.8"
Case Pack:
14
File:
Eloquence-IPG_03192026_P9854863_onix30_Complete-20260319.xml
Folder:
Eloquence
As low as:
$42.99
List Price:
$49.99
Publisher Identifier:
P-IPG
Discount Code:
C
Audience:
General/trade
Pub Discount:
60
Imprint:
NewSouth
Overview
In the 1920s and 1930s, Rayner Hoff was the most gifted – and controversial – public sculptor in Australia, best known for the sculptures and friezes that adorn Sydney’s Anzac Memorial, including Sacrifice at its centre.
After moving from London in the early 1920s, Hoff taught at and eventually ran the National Art School. As well as completing the Anzac Memorial sculptures – which generated uproar when the Catholic Archbishop of Sydney opposed two further works planned for the Memorial – he also designed the original Holden lion badge, won the Wynne Prize in 1927, and made firm friends with luminaries like Norman Lindsay, Hugh McCrae and Mary Gilmore.
This biography tells the story of Hoff’s life and work for the first time, and how he spearheaded an Australian sculpture renaissance and left a mark that is still keenly felt today.








