plastic (A Poem)
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$15.95
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Product Details
Author:
Matthew Rice
Format:
Paperback
Pages:
256
Publisher:
Catapult (January 13, 2026)
Imprint:
Soft Skull
Language:
English
Audience:
General/trade
ISBN-13:
9781593768034
ISBN-10:
1593768036
Weight:
4.4oz
Dimensions:
5.51" x 8.24" x 0.32"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T170752_155746837-20260405.xml
Folder:
RandomHouse
List Price:
$15.95
Country of Origin:
United States
Pub Discount:
65
Case Pack:
64
As low as:
$12.28
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
Set during a single twelve-hour night shift in an injection molding factory, plastic is a book-length poem exploring the life of the industrial worker turned poet
Bringing together memoir, ekphrasis, and satire, plastic is based on Matthew Rice’s experience working in a plastic molding factory for ten years. Illustrating alienated twenty-first-century Irish labor in poetic form, plastic engages with the inflictions and implications of a “post-industrial,” “post-Troubles” society, all while weaving in depictions of factory work from literature, film, and the visual arts.
Time-stamped to highlight the claustrophobia of the worker’s experience, Rice meditates on masculinity, sectarianism, and intergenerational trauma. But at its core is a poem about feeling a calling while being submerged in the world of menial labor—making plastic airplane parts by night, making poetry by day.
Invoking the brevity of Seamus Heaney, plastic is an expansive and imaginative poem that offers the working class a grace, dignity, and truth not often found in contemporary literature.
Bringing together memoir, ekphrasis, and satire, plastic is based on Matthew Rice’s experience working in a plastic molding factory for ten years. Illustrating alienated twenty-first-century Irish labor in poetic form, plastic engages with the inflictions and implications of a “post-industrial,” “post-Troubles” society, all while weaving in depictions of factory work from literature, film, and the visual arts.
Time-stamped to highlight the claustrophobia of the worker’s experience, Rice meditates on masculinity, sectarianism, and intergenerational trauma. But at its core is a poem about feeling a calling while being submerged in the world of menial labor—making plastic airplane parts by night, making poetry by day.
Invoking the brevity of Seamus Heaney, plastic is an expansive and imaginative poem that offers the working class a grace, dignity, and truth not often found in contemporary literature.








