- Home
- Music
- Instruction & Study
- Piano-Playing Revisited (What Modern Players Can Learn from Period Instruments)
Piano-Playing Revisited (What Modern Players Can Learn from Period Instruments)
List Price:
$65.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
David Breitman
Format:
Hardcover
Pages:
228
Publisher:
Boydell & Brewer Inc. (February 1, 2021)
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9781648250101
ISBN-10:
1648250106
Weight:
17.6oz
Dimensions:
6" x 9"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125524-20250918.xml
Folder:
TWO RIVERS
List Price:
$65.00
Country of Origin:
United States
Pub Discount:
40
Case Pack:
20
As low as:
$58.50
Publisher Identifier:
P-PER
Discount Code:
G
Imprint:
University of Rochester Press
Overview
A guide, linked to an online suite of video examples, to how historical instruments influenced the composers of keyboard music, and a way to look at their scores with fresh eyes and ears.
Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing.
He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.
A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349.
Today's pianists are expected to play music of three centuries on a single instrument: Steinway's design from the late 1800s. Other types of pianos, such as Mozart's Walter or Chopin's Pleyel, are increasingly being copied or restored, but they are played almost exclusively by specialists in "Historical Performance." David Breitman has been introducing Oberlin Conservatory students to historical keyboards since 1991, and in this book he focuses on the music he cares about most deeply and the problems he has found most perplexing.
He begins by acknowledging the dilemma of confronting historical repertoire with modern instruments, then shows how to apply insights from period instruments to practical problems on any piano, including the relationship between melody and accompaniment and the use of the pedal. The central portion of the book discusses the pianos and piano music of Haydn and Mozart, Beethoven, Schubert, and Chopin, as well as the special place of the clavichord in eighteenth-century keyboard culture. A wide range of musical examples demonstrates how composers were influenced by the instruments they knew, and how that understanding can help today's performers. The book concludes with a passionate plea for individual creativity and autonomy, authentic voices for our own time.
A suite of videos, including demonstrations of representative musical examples as well as of the moderator pedal and clavichord action, can be found here: https://vimeo.com/showcase/8046349.
