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Photography and Death (Framing Death throughout History)

List Price: $61.99
SKU:
9781839090486
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  • Product Details

    Author:
    Racheal Harris, Jack Denham, Julie Rugg, Ruth Penfold-Mounce
    Format:
    Paperback
    Pages:
    200
    Publisher:
    Emerald Publishing Limited (June 30, 2020)
    Language:
    English
    Audience:
    Professional and scholarly
    ISBN-13:
    9781839090486
    ISBN-10:
    1839090480
    Dimensions:
    5.08" x 7.8" x 0.43"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20251121163228-20251122.xml
    Folder:
    TWO RIVERS
    List Price:
    $61.99
    Series:
    Emerald Studies in Death and Culture
    Case Pack:
    1
    As low as:
    $58.89
    Publisher Identifier:
    P-PER
    Discount Code:
    H
    Weight:
    7.04oz
    Country of Origin:
    United Kingdom
    Pub Discount:
    35
    Imprint:
    Emerald Publishing Limited
  • Overview

    Photography represents a medium in which the moment of death can be captured and preserved, the image becoming a mechanism through which audiences are beguiled by the certainty of their own mortality. Examining a spectrum of post-mortem images, Photography and Death considers various ways in which the death image has been framed and what these styles communicate about changing social attitudes related to dying, mourning and the afterlife.Presenting a fresh perspective on how we might view death photography in the context of our contemporary cultural milieu, this book brings together a range of historical examples to create a richer narrative of how we see, understand and discuss death in both the private and public forum. Building upon existing publications which relate explicitly to the study of death, dying and cultures of mourning, the book discusses topics such as post-mortem portraiture, the Civil War, Spiritualism and lynching. These are positioned alongside contemporary representations of death, as seen in celebrity death images and forensic photography. Uncovering an important historical contrast, in which modern notions of death are a comment on ownership or an emotionless, clinical state, Harris highlights the various ways that the deceased body is a site of contestation and fascination. An engaging read for students and researchers with an interest in death studies, this book represents a unique account of the various ways that attitudes about death have been shaped through the photographic image.