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Pero aun así / But Even So (Spanish Edition)
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$23.95
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Product Details
Author:
María Moreno
Format:
Paperback
Pages:
384
Publisher:
PRH Grupo Editorial (April 21, 2026)
Imprint:
Literatura Random House
Release Date:
April 21, 2026
Language:
Spanish
Audience:
General/trade
ISBN-13:
9788439744252
ISBN-10:
8439744250
Weight:
17.6oz
Dimensions:
5.4" x 9.08" x 1.07"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260420T235324_155970478-20260420.xml
Folder:
RandomHouse
List Price:
$23.95
Country of Origin:
Spain
Pub Discount:
65
Case Pack:
12
As low as:
$18.44
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
Pero aun así reúne una década de intervenciones críticas dispersas, publicadas en distintos medios, y las ponencias, discursos y presentaciones de libros leídas en voz alta tiempo atrás.
«Somos muchos los que consideramos a María Moreno la mejor cronista argentina de todos los tiempos y una de las voces documentales más lúcidas de la lengua, entre otras hipérboles razonables». -Jorge Carrión, The New York Times
Desde el futurismo radical de la omnipresente Virginia Woolf hasta el misterio intacto que sobrevive al suicidio de Alfonsina Storni. El amor por Chile, con la grafía exaltada de la oda a Gabriela Mistral, a Pedro Lemebel, a Raúl Zurita. Como él, María Moreno atestigua «Yo vi a las mejores mentes de mi generación…».
Ricardo Piglia, Fogwill y Horacio González, algunas de ellas: la etiqueta periodística reserva a las amistades o a las obcecaciones la redacción del obituario.
María Moreno ha reescrito cada uno de estos microensayos que, en un solo volumen, reafirman su fenomenal erudición, su indispensable insolencia intelectual, su indómita vigencia.
ENGLISH DESCRIPTION
But Even So, it brings together a decade of scattered critical interventions—pieces published in various media outlets, as well as lectures, speeches, and book presentations once read aloud long ago.
“Many of us consider María Moreno the greatest Argentine chronicler of all time and one of the most lucid documentary voices in the Spanish language—among other reasonable hyperboles.” — Jorge Carrión, The New York Times
From the radical futurism of the ever-present Virginia Woolf to the untouched mystery that survives the suicide of Alfonsina Storni. From her love for Chile, expressed in the exalted script of odes to Gabriela Mistral, Pedro Lemebel, and Raúl Zurita. Like Zurita, María Moreno bears witness: “I saw the best minds of my generation…”
Ricardo Piglia, Fogwill, and Horacio González—some of those minds. Journalistic convention assigns the writing of obituaries to friends or obsessions.
María Moreno has rewritten each of these micro-essays, which together in a single volume reaffirm her phenomenal erudition, her indispensable intellectual insolence, and her untamed relevance.
«Somos muchos los que consideramos a María Moreno la mejor cronista argentina de todos los tiempos y una de las voces documentales más lúcidas de la lengua, entre otras hipérboles razonables». -Jorge Carrión, The New York Times
Desde el futurismo radical de la omnipresente Virginia Woolf hasta el misterio intacto que sobrevive al suicidio de Alfonsina Storni. El amor por Chile, con la grafía exaltada de la oda a Gabriela Mistral, a Pedro Lemebel, a Raúl Zurita. Como él, María Moreno atestigua «Yo vi a las mejores mentes de mi generación…».
Ricardo Piglia, Fogwill y Horacio González, algunas de ellas: la etiqueta periodística reserva a las amistades o a las obcecaciones la redacción del obituario.
María Moreno ha reescrito cada uno de estos microensayos que, en un solo volumen, reafirman su fenomenal erudición, su indispensable insolencia intelectual, su indómita vigencia.
ENGLISH DESCRIPTION
But Even So, it brings together a decade of scattered critical interventions—pieces published in various media outlets, as well as lectures, speeches, and book presentations once read aloud long ago.
“Many of us consider María Moreno the greatest Argentine chronicler of all time and one of the most lucid documentary voices in the Spanish language—among other reasonable hyperboles.” — Jorge Carrión, The New York Times
From the radical futurism of the ever-present Virginia Woolf to the untouched mystery that survives the suicide of Alfonsina Storni. From her love for Chile, expressed in the exalted script of odes to Gabriela Mistral, Pedro Lemebel, and Raúl Zurita. Like Zurita, María Moreno bears witness: “I saw the best minds of my generation…”
Ricardo Piglia, Fogwill, and Horacio González—some of those minds. Journalistic convention assigns the writing of obituaries to friends or obsessions.
María Moreno has rewritten each of these micro-essays, which together in a single volume reaffirm her phenomenal erudition, her indispensable intellectual insolence, and her untamed relevance.
