Painters Eleven (The Wild Ones of Canadian Art)
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Product Details
Author:
Iris Nowell
Format:
Hardcover
Pages:
384
Publisher:
Douglas and McIntyre (2013) Ltd. (March 1, 2011)
Language:
English
ISBN-13:
9781553655909
ISBN-10:
1553655907
Weight:
72.48oz
Dimensions:
9" x 11"
Case Pack:
8
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20250917130145-20250918.xml
Folder:
PGW
As low as:
$65.45
List Price:
$85.00
Publisher Identifier:
P-PER
Discount Code:
A
Audience:
General/trade
Imprint:
Douglas & McIntyre
Overview
In 1953 eleven Canadian Abstract Expressionist artists banded together to break through the barricades of traditional art at a time when landscapes were about the only paintings collectors were buying. Hungry for recognition, raging against the art establishment that was shutting them out, they decided to form a collective, expecting they would gain more attention as a group than as solo artists. In 1954, The Painters Eleven—Jack Bush, Oscar Cahén, Hortense Gordon, Tom Hodgson, Alexandra Luke, Jock Macdonald, Ray Mead, Kazuo Nakamura, William Ronald, Harold Town and Walter Yarwood—held their first exhibition in Toronto.
Initially the public response echoed the worldwide sentiments toward Abstract Expressionism —mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg.
Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.
Initially the public response echoed the worldwide sentiments toward Abstract Expressionism —mockery and bewilderment. Nevertheless, the exhibition attracted wide public interest and criticism faded into acclaim from critics and collectors alike. A successful 1956 exhibition at the Riverside Gallery in New York even elicited praise from the influential critic Clement Greenberg.
Packed with gorgeous full color reproductions, this highly detailed account reveals the influences of the indivudual artists on the group's dynamic art and uncovers why the Painters Eleven had such a struggle for recognition, and why they acheived it so masterfully.
