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Opera Wars (Inside the World of Opera and the Battles for Its Future)
List Price:
$19.00
| Expected release date is Jan 26th 2027 |
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Product Details
Author:
Caitlin Vincent
Format:
Paperback
Pages:
304
Publisher:
Scribner (January 26, 2027)
Imprint:
Scribner
Release Date:
January 26, 2027
Language:
English
Audience:
General/trade
ISBN-13:
9781668084076
ISBN-10:
1668084074
Weight:
9.12oz
Dimensions:
5.5" x 8.375" x 0.76"
File:
Eloquence-SimonSchuster_10212026_P10776835_onix30-20261021.xml
Folder:
Eloquence
List Price:
$19.00
Pub Discount:
65
Case Pack:
40
As low as:
$14.63
Publisher Identifier:
P-SS
Discount Code:
A
Overview
Blunt and at times wittily subversive, Opera Wars spotlights opera culture—it’s colorful and sometimes warring personalities, increasingly fierce controversies over content, and the battles being waged for its economic future.
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, vocalist, opera company director, and arts commentator—Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir debates over race and gender, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the opera industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the art form and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.
Drawing on interviews with dozens of opera insiders—as well as her own experience as an award-winning librettist, vocalist, opera company director, and arts commentator—Caitlin Vincent deftly unravels clichés and presumptions, exposing such debates as how much fidelity is owed to long-dead opera composers whose plots often stir debates over race and gender, whether there’s any cure for typecasting that leaves talented performers out of work and other performers chained to the same roles, and what explains the bizarre kowtowing of opera companies to the demands of traditionalist patrons.
Vincent never shrinks from depicting the opera industry’s top-to-bottom messiness and its stubborn resistance to change. Yet, like a lover who can’t quite break away, she always comes back to her veneration for the art form and in these pages stirringly evokes those moments on stage that can be counted on to make ardent fans of the most skeptical.









