- Home
- Art
- Criticism & Theory
- On Gender Performance
On Gender Performance
List Price:
$13.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Marie-France Rafael, Brice Dellsperger, José Freire
Format:
Paperback
Pages:
64
Publisher:
Floating Opera Press (October 1, 2020)
Imprint:
Floating Opera Press
Language:
English
Audience:
General/trade
ISBN-13:
9783981910827
ISBN-10:
3981910826
Weight:
12oz
Dimensions:
4.33" x 6.69"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125540-20250918.xml
Folder:
TWO RIVERS
List Price:
$13.00
As low as:
$10.01
Publisher Identifier:
P-PER
Discount Code:
A
Overview
Brice Dellsperger pushes the boundaries of genre and gender. In his multifaceted reprises of iconic film sequences—all assembled under the title Body Double—the cineaste and artist reenacts the selected scenes from well-known films frame for frame and lets his “body doubles” perform all of the roles, be they male or female. In this conversation between Dellsperger and Marie-France Rafael, following current (post-)gender discussions, the artist describes sexuality and (sexual) identity as products of a cultural construction informed by audiovisual technologies. Film, video, and the Internet do not depict a pre-existing sexuality but establish an image of it and its (normative) framework. Throughout this exchange, the artist highlights how he, starting from travesty and doubles, undermines existing identity systems in order to develop new artistic strategies for subjectivity.








