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Oblique Experiments (Claude Parent's Architectural Installations (1969-1975))
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Product Details
Author:
Igor Siddiqui
Format:
Paperback
Pages:
232
Publisher:
ORO Editions (December 30, 2025)
Imprint:
Applied Research & Design
Language:
English
Audience:
General/trade
ISBN-13:
9781966515227
ISBN-10:
1966515227
Weight:
26.08oz
Dimensions:
6.5" x 9.5"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260421161609-20260421.xml
Folder:
CONSORTIUM
List Price:
$40.00
Country of Origin:
China
Pub Discount:
60
As low as:
$34.40
Publisher Identifier:
P-PER
Discount Code:
C
Case Pack:
16
Overview
With the radical proposition of life on inclined planes—a theory known as the oblique function—the French architect Claude Parent sought to free architecture of orthogonal form, renew its social relevance, and inspire people’s interest in the built environment.
Oblique Experiments: Claude Parent’s Architectural Installations (1969–1975) explores the significance of a series of temporary interventions that he designed in an attempt to convert his theory into practice. Referred to as practicables, these installations incorporated oblique geometries, involved interdisciplinary collaboration, and made themselves at home in existing buildings, often inside of French cultural centers known as maisons de la culture. Using rarely published archival materials as well as new drawings produced by the book’s author, Oblique Experiments brings overdue attention to this series of architectural experiments with enduring intellectual and creative appeal. Moreover, the book prompts the reader to imagine the radical potential of obliqueness in a range of contemporary practices—beyond the literal prospect of life on sloped floors. As such, Oblique Experiments builds upon Parent’s work in order to imagine new forms of experimentation in architecture, design, and art.
Oblique Experiments: Claude Parent’s Architectural Installations (1969–1975) explores the significance of a series of temporary interventions that he designed in an attempt to convert his theory into practice. Referred to as practicables, these installations incorporated oblique geometries, involved interdisciplinary collaboration, and made themselves at home in existing buildings, often inside of French cultural centers known as maisons de la culture. Using rarely published archival materials as well as new drawings produced by the book’s author, Oblique Experiments brings overdue attention to this series of architectural experiments with enduring intellectual and creative appeal. Moreover, the book prompts the reader to imagine the radical potential of obliqueness in a range of contemporary practices—beyond the literal prospect of life on sloped floors. As such, Oblique Experiments builds upon Parent’s work in order to imagine new forms of experimentation in architecture, design, and art.








