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No News Good News
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$55.00
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Product Details
Author:
Gianluigi Colin, Arturo Carlo Quintavalle, John Berger, Marzio Breda, Aldo Colonetti
Format:
Hardcover
Pages:
536
Publisher:
Rizzoli (May 29, 2018)
Language:
English
ISBN-13:
9780847860791
ISBN-10:
0847860795
Weight:
76.96oz
Dimensions:
8.7" x 10.8" x 2"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T163951_155746749-20260405.xml
Folder:
RandomHouse
List Price:
$55.00
Case Pack:
6
As low as:
$47.30
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Italy
Pub Discount:
60
Imprint:
Rizzoli
Overview
A kaleidoscopic overview of the influential artist and art director, cataloging thirty years of his work and his quest through the world of imagery.
Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to “clothe” the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist’s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.
Beginning in the early 1980s, artist Gianluigi Colin began to delve into the daily newspapers to extract words, images, and signs that caught his attention. With an eye on the world around him, Colin assembled a complex, varied, and layered vision, documenting daily life as it unfolded and became history. The mission he has set for himself is to “clothe” the news headlines and events, while systematically devising his own newspaper, creating an ongoing dialogue with the international press. This visual autobiography reveals the artist’s evolving confrontation between the two worlds of imagery and words, while offering a visual account of the graphic projects that Colin realized through his role as art director for the leading newspaper Corriere della Sera.
