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No More / C'est Tout (Bi-Lingual Edition)
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$15.95
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Product Details
Author:
Marguerite Duras, Richard Howard, Christiane Blot-Labarrère, Paul Otchakovsky-Laurens
Format:
Paperback
Pages:
160
Publisher:
Seven Stories Press (March 14, 2023)
Language:
Bi-Lingual
ISBN-13:
9781644212394
ISBN-10:
1644212390
Weight:
6.2oz
Dimensions:
5.54" x 8.2" x 0.46"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T075611_156615883-20260617.xml
Folder:
RandomHouse
List Price:
$15.95
Case Pack:
24
As low as:
$12.28
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
65
Imprint:
Seven Stories Press
Overview
In her last book, Marguerite Duras meditates with a fierce poetic fervor on facing death, her life’s literary work, and love.
Sex, and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death.
No More (C'est Tout) is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras' raucous salutation welcoming death. No More is a collection as pure as poetry and her words and ideas recirculate in hypnotic fits of lucidity, desperation, and noise, but the overall effect is both unsettling and, at times, piercingly true.
Sex, and death. All of Marguerite Duras's writings are suffused with the certitude that absolute love is both necessary (sex) and impossible to achieve (death). But no book of hers embodies this idea so powerfully, so excessively, as No More (C'est Tout), the book she composed during the last year of her life until just days before her death.
No More (C'est Tout) is literature shorn of all its niceties, a shout from the depths of Duras's being, celebrating life in defiance of the death she knew had already entered her immediate future. In part, it is also Duras' raucous salutation welcoming death. No More is a collection as pure as poetry and her words and ideas recirculate in hypnotic fits of lucidity, desperation, and noise, but the overall effect is both unsettling and, at times, piercingly true.
