Nate Lowman
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$75.00
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Product Details
Author:
Nate Lowman, Lynne Tillman, Andrew Paul Woolbright, Jim Lewis
Format:
Hardcover
Pages:
192
Publisher:
David Zwirner Books (November 7, 2023)
Language:
English
ISBN-13:
9781644231029
ISBN-10:
1644231026
Weight:
47.2oz
Dimensions:
9.5" x 10.75" x 0.9"
File:
Eloquence-SimonSchuster_07042026_P10292974_onix30_Complete-20260704.xml
Folder:
Eloquence
List Price:
$75.00
Case Pack:
8
As low as:
$57.75
Publisher Identifier:
P-SS
Discount Code:
A
Audience:
General/trade
Pub Discount:
65
Imprint:
David Zwirner Books
Overview
A stunning, focused document of Nate Lowman’s work from the past four years
“Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber.” —BOMB Magazine
With an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter.
Spotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for The Brooklyn Rail, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.
“Brewing the good, the bad, and the ugly of consumerist modern life in his masterful paintings, Lowman draws a portrait of the times that is equally mischievous and somber.” —BOMB Magazine
With an archive of source material amassed and processed over time, Lowman creates slippery, layered images that transform visual referents found in the news, media, and art history. In this volume, Lowman plays with cataclysmic imagery that probes the tensions between the everyday and the extreme, presence and absence, and violence and representation. In his vibrant paintings of digitally rendered hurricane imagery and crime scene photography cataloging the aftermath of the October 2017 mass shooting in Las Vegas, he considers the physicality of his medium in connection to the chaos of his subject matter.
Spotlighting Lowman’s exhibitions at David Zwirner in London and New York along with other recent work, this monograph includes a text by Lynne Tillman that provides a unique perspective across all bodies of Lowman’s oeuvre. In an interview with Andrew Paul Woolbright for The Brooklyn Rail, Lowman discusses his engagement with representation and meaning, twentieth-century gestural and pop art, slow painting, and American violence.
