Nana - 9780198814269
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Product Details
Author:
Émile Zola, Helen Constantine, Brian Nelson
Format:
Paperback
Pages:
432
Publisher:
Oxford University Press (June 1, 2020)
Audience:
General/trade
ISBN-13:
9780198814269
ISBN-10:
0198814267
Weight:
10.56oz
File:
OXFORDU-oxford_onix30-2025-0526-20250526.xml
Folder:
OXFORDU
List Price:
$12.95
Pub Discount:
50
Series:
Oxford World's Classics
Case Pack:
40
As low as:
$10.36
Publisher Identifier:
P-OXFORD
Discount Code:
E
Imprint:
Oxford University Press
Overview
'She was the golden beast, an unconscious force, the very scent of her could bring the world to ruin.'
Nana, daughter of a drunk and a laundress, is the Helen of Troy of Paris. A sexually magnetic high-class prostitute and actress, she becomes a celebrity, rapidly conquering society, ruining all men who fall under her spell -- especially Count Muffat, Chamberlain to the Empress. Nana herself meets a terrible fate, consumed by her own dissipation and extravagance, just as the disastrous war with Prussia is declared.
Nana is the ninth instalment in the twenty volume Rougon-Macquart series. The novel opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan elite, was la Ville Lumiere, the glittering setting-and object-of Zola's scathing denunciation of society's hypocrisy and moral corruption. Nana comes to symbolize the Second Empire regime itself in all its excesses; but in the final chapters, the narrator seems to suggest that the coming disaster is not so much a result of the corruption of the Empire, as of rampant female sexuality.
Nana, daughter of a drunk and a laundress, is the Helen of Troy of Paris. A sexually magnetic high-class prostitute and actress, she becomes a celebrity, rapidly conquering society, ruining all men who fall under her spell -- especially Count Muffat, Chamberlain to the Empress. Nana herself meets a terrible fate, consumed by her own dissipation and extravagance, just as the disastrous war with Prussia is declared.
Nana is the ninth instalment in the twenty volume Rougon-Macquart series. The novel opens in 1867, the year of the World Fair, when Paris, thronged by a cosmopolitan elite, was la Ville Lumiere, the glittering setting-and object-of Zola's scathing denunciation of society's hypocrisy and moral corruption. Nana comes to symbolize the Second Empire regime itself in all its excesses; but in the final chapters, the narrator seems to suggest that the coming disaster is not so much a result of the corruption of the Empire, as of rampant female sexuality.
