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Modern Canadian Plays: (Volume 1, 4th Edition)

List Price: $39.95
SKU:
9780889224360
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  • Product Details

    Author:
    Jerry Wasserman
    Format:
    Paperback
    Publisher:
    Talonbooks (October 31, 2000)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780889224360
    ISBN-10:
    0889224366
    Weight:
    26.4oz
    Dimensions:
    6.73" x 9.75" x 0.98"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260913161644-20260913.xml
    Folder:
    CONSORTIUM
    List Price:
    $39.95
    Case Pack:
    18
    As low as:
    $30.76
    Publisher Identifier:
    P-PER
    Discount Code:
    A
    Country of Origin:
    Canada
    Imprint:
    Talonbooks
  • Overview

    “I don’t see how a play can be Canadian. I don’t think there are any plays that you could call strictly Canadian … What does that phrase mean?”

    Now, thirty-three years after Canadian directors spoke their minds, or rather shrugged their shoulders at the seeming hopelessness of de-colonizing Canadian theatre, this fourth edition of the “classic” Modern Canadian Plays sets out for us an even broader range of plays than previous editions, outlining a Canadian drama-scene that is far from colonial, inert, middle-class, or middle-aged. spanning the years from 1967 to 1997, this anthology will likely continue to be the standard anthology for Canadian drama—and not without good reason.

    Edited by Jerry Wasserman—professor at the University of British Columbia, theatre critic for CBC, and one of Vancouver’s most recurring (and memorable) faces on television— Volume I still contains plays such as George Ryga’s seminal and highly political The Ecstasy of Rita Joe (first performed in 1967, it was described as a “cicatrice” of Canadian society that “showed the bleeding flesh beneath”), as well as Michel Tremblay’s Les Belles-Soeurs (one of the most critically acclaimed plays in Canada, translated from the original, controversial, joual). But more to the point, this edition of Volume I carries with it an even more distinct flavour of adventurousness in its juxtaposition of plays that are strikingly, even wildly, various—plays that can only be said to cohere around the difficulty of amorphous notions such as social justice, cultural belonging, and the existence of a collective past.

    The plays in this fourth edition of Modern Canadian Plays: Volume I date from 1967 to 1986:

    The Ecstasy of Rita Joe by George Ryga
    Fortune and Men’s Eyes by John Herbert
    Les Belles-Soeurs by Michel Tremblay
    Leaving Home by David French
    1837: The Farmer’s Revolt by Rick Salutin and Theatre Passe Muraille
    The St. Nicholas Hotel by James Reaney
    Zastrozzi by George F. Walker
    Billy Bishop Goes to War by John MacLachlan Gray with Eric Peterson
    Balconville by David Fennario
    Doc by Sharon Pollock
    Drag Queens on Trial by Sky Gilbert
    The Occupation of Heather Rose by Wendy Lill