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Militant Modernism - 9781917991322
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$20.95
| Expected release date is Jun 2nd 2026 |
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Product Details
Author:
Owen Hatherley
Format:
Paperback
Pages:
224
Publisher:
Zer0 Books (June 2, 2026)
Imprint:
Zer0 Books
Release Date:
June 2, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781917991322
ISBN-10:
1917991320
Weight:
6.48oz
Dimensions:
5.5" x 8.5"
File:
Eloquence-SimonSchuster_04022026_P9912986_onix30_Complete-20260402.xml
List Price:
$20.95
Pub Discount:
65
As low as:
$16.13
Publisher Identifier:
P-SS
Discount Code:
A
Folder:
Eloquence
Case Pack:
50
Overview
A defence of Modernism against its defenders.
This book is a defence of Modernism against its defenders. In readings of modern design, film, pop and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. Militant Modernism features new readings of some familiar names — Bertolt Brecht, Le Corbusier, et al. — but more on the lesser-known, quotidian modernists of the twentieth century. These chapters range from a study of British industrial and brutalist aesthetics to Russian Constructivism in architecture, the Sexpol of Wilhelm Reich in film and design, and the alienation effects of Brecht and Hanns Eisler on record and screen — all arguing for a modernism of everyday life, immersed in questions of socialism, sexual politics, and technology.
This book is a defence of Modernism against its defenders. In readings of modern design, film, pop and especially architecture, it attempts to reclaim a revolutionary modernism against its absorption into the heritage industry and the aesthetics of the luxury flat. Militant Modernism features new readings of some familiar names — Bertolt Brecht, Le Corbusier, et al. — but more on the lesser-known, quotidian modernists of the twentieth century. These chapters range from a study of British industrial and brutalist aesthetics to Russian Constructivism in architecture, the Sexpol of Wilhelm Reich in film and design, and the alienation effects of Brecht and Hanns Eisler on record and screen — all arguing for a modernism of everyday life, immersed in questions of socialism, sexual politics, and technology.
