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Metaphysical Graffiti (Rock 'n' Roll and the Meaning of Life)

List Price: $17.95
SKU:
9781949017083
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Minimum Purchase
25 unit(s)
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  • Product Details

    Author:
    Seth Kaufman
    Format:
    Paperback
    Pages:
    176
    Publisher:
    OR Books (January 29, 2019)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781949017083
    ISBN-10:
    1949017087
    Dimensions:
    5" x 8"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130216-20260401.xml
    Folder:
    CONSORTIUM
    List Price:
    $17.95
    Case Pack:
    36
    As low as:
    $15.44
    Publisher Identifier:
    P-PER
    Discount Code:
    C
    Country of Origin:
    United States
    Pub Discount:
    60
    Weight:
    7.2oz
    Imprint:
    OR Books
  • Overview

    A provocative, entertaining but ultimately serious examination of rock's most essential questions: Beatles or Stones? Which is the best air guitar to play? Does Rush suck? And what is the meaning of Billy Joel?

    Metaphysical Graffiti is a book for music fans, humor fans, and, if a meaningful ontological category, fans of philosophy too. It is a provocative, inflammatory, hilarious, but ultimately serious book about the essential questions of rock—Beatles or Stones? What Kind of Air Guitar Do You Play? Does Rush Suck? and, of course, The Meaning of Billy Joel. In a rich mix of original pieces, Kaufman not only examines the essential issues facing all rock fans, but delves into the deeper, metaphysical roots of these questions.

    The book's title is a riff on the classic Led Zeppelin album, Physical Graffiti, while the book itself is an innovative, critical work that in many ways mirrors the best rock 'n' roll. Funny, audacious, irreverent, and relentlessly creative, it stretches the parameters of traditional criticism by incorporating short fiction, "Moronic Dialogues," and even a short mini-play, "Godot, The Musical," in order to explore philosophical concepts of Reality, Authenticity, Hype, and, ultimately, the purpose of music criticism itself.