null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

Meshes of the Afternoon

List Price: $18.95
SKU:
9781844573776
Quantity:
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    John David Rhodes
    Series:
    BFI Film Classics
    Format:
    Paperback
    Pages:
    128
    Publisher:
    British Film Institute (October 15, 2011)
    Language:
    English
    Audience:
    College/higher education
    ISBN-13:
    9781844573776
    ISBN-10:
    184457377X
    Weight:
    7.92oz
    Dimensions:
    5.36" x 7.5" x 0.335"
    Case Pack:
    60
    File:
    CHILDSPLAY-macmillan_us_academic_onix21-2016-0403-20160404a.xml
    Folder:
    CHILDSPLAY
    As low as:
    $14.59
    Publisher Identifier:
    P-CHILDSPLAY
    Discount Code:
    A
    Pub Discount:
    65
  • Overview

    John David Rhodes' illuminating study of Maya Deren's mesmerising short 'Meshes of the Afternoon' (1943) places the film in the context of European modernism and as a pivotal text for the pre- and post-War history of the cinematic avant garde. Rhodes also explores the film's use of point of view, repetition and visual symobolism.