Mel Kendrick
List Price:
$60.00
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Product Details
Author:
Carroll Dunham, Allison N. Kemmerer, Nancy Princenthal, Terrie Sultan, Adam D. Weinberg
Format:
Hardcover
Pages:
192
Publisher:
Rizzoli (October 13, 2020)
Language:
English
ISBN-13:
9780847868971
ISBN-10:
0847868974
Weight:
50.8oz
Dimensions:
9.88" x 11.3" x 0.97"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T072309_156615729-20260617.xml
Folder:
RandomHouse
List Price:
$60.00
Case Pack:
10
As low as:
$51.60
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Hong Kong
Pub Discount:
60
Imprint:
Rizzoli Electa
Overview
Spanning the entirety of the artist's career, Mel Kendrick: Seeing Things in Things charts the singular trajectory of one of the country's most adventurous sculptors.
With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.
With more than 100 works representing four decades, this is the definitive monograph on abstract sculptor Mel Kendrick, who first emerged in 1970s New York, where he studied with legends Tony Smith and Robert Morris. At a time when Minimal and Conceptual art dominated, Kendrick forged his own path, embarking on a career-long series of provocative investigations into the fundamentals and possibilities of sculpture, his restless experimentations with form, scale, and materiality realized in wood, rubber, cast paper, or concrete. Essays by Nancy Princenthal, Allison N. Kemmerer, Terrie Sultan, and Adam D. Weinberg, and a conversation between Kendrick and fellow artist Carroll Dunham provide fascinating perspective on forty years of art making in the aftermath of Minimalism.
