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Massimiliano Fuksas (No Time, No Space)
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$54.95
| Expected release date is Jun 1st 2026 |
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Product Details
Author:
Massimiliano Fuksas
Format:
Hardcover
Pages:
536
Publisher:
Actar D (June 1, 2026)
Imprint:
Actar
Release Date:
June 1, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781638401872
ISBN-10:
163840187X
Weight:
44oz
Dimensions:
9.05" x 7.48"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260415161610-20260415.xml
Folder:
CONSORTIUM
List Price:
$54.95
Country of Origin:
Spain
Pub Discount:
60
As low as:
$47.26
Publisher Identifier:
P-PER
Discount Code:
C
Case Pack:
4
Overview
Massimiliano Fuksas always says that he would like to be able to design an architecture without time and space; he has certainly been searching for it for fifty years.
This book presents a rich collection of ideas, concepts, and intentions, stripped of any context, scale, or other details that might limit their expression. From this, we can conclude that the author has indeed succeeded. This collection features architectures that are detached from both time and space, creating a transcendent realm where his deepest concerns and sensitivities reside. He says that his projects always begin with drawing and painting, which have been his passions since childhood. When tackling a new project, he observes nature for inspiration. He continues to paint for material, differentiating it from “drawing architecture.” Even when he lectures students at university, he instinctively starts painting. He prefers not to delegate the creative phase, as he wants to control the entire process to express his vision. Initially, he worked only with his signs, later adding model creation, starting with a parallelepiped and exploring its form by creating voids and studying the resulting relationships.
This book presents a rich collection of ideas, concepts, and intentions, stripped of any context, scale, or other details that might limit their expression. From this, we can conclude that the author has indeed succeeded. This collection features architectures that are detached from both time and space, creating a transcendent realm where his deepest concerns and sensitivities reside. He says that his projects always begin with drawing and painting, which have been his passions since childhood. When tackling a new project, he observes nature for inspiration. He continues to paint for material, differentiating it from “drawing architecture.” Even when he lectures students at university, he instinctively starts painting. He prefers not to delegate the creative phase, as he wants to control the entire process to express his vision. Initially, he worked only with his signs, later adding model creation, starting with a parallelepiped and exploring its form by creating voids and studying the resulting relationships.
