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Marie Duval

List Price: $24.95
SKU:
9780995590090
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  • Product Details

    Author:
    Simon Greenan, Julian Waite, Roger Sabin
    Format:
    Hardcover
    Pages:
    144
    Publisher:
    New Internationalist (October 23, 2018)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780995590090
    ISBN-10:
    0995590095
    Dimensions:
    6.9" x 9.6"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130216-20260401.xml
    Folder:
    CONSORTIUM
    List Price:
    $24.95
    Case Pack:
    10
    As low as:
    $19.21
    Publisher Identifier:
    P-PER
    Discount Code:
    A
    Weight:
    30.4oz
    Imprint:
    Myriad Editions
  • Overview

    Marie Duval (1847–1890) was a ground-breaking Victorian female cartoonist whose wide range of work, depicting an urban, often working-class milieu, has been largely forgotten. This is a book for pleasure: the first to celebrate her life and work. What did it mean to be a woman working in the man’s world of cartooning? Marie Duval was a unique, pioneering, innovative, and highly entertaining visual journalist, cartoonist, and illustrator whose work appeared in serial magazines and books at a time when the identity of the artist, in Victorian England, was in radical flux. Both a stage actress as well as an artist, Duval was uniquely placed to take advantage of the first appearance of a mass leisure culture by contributing to the weekly magazines that combined current affairs and theatrics with a focus on urban life. The work of Marie Duval confounds one of our most commonplace ideas of the Victorian era—that women were not supposed to create or even to participate in public life and certainly not meant to be either comic or professional. Her comic strips were not only pioneering in terms of what we have come to call ‘comics,’ but present a vernacular comedy that frequently undercuts and supersedes the work of her male contemporaries. This entertaining visual account by Simon Grennan, Roger Sabin and Julian Waite of the work of Duval explore key aspects of Victorian mass leisure industry, such as tourism, day-tripping, fashion, the theatre, art and the ‘season.’ Placing Duval in the visual context of the emerging profession of visual journalism, it offers an enticing glimpse of the exciting, strange and world-changing media environment of London in the last part of the nineteenth century.