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Manhattan Noir

List Price: $15.95
SKU:
9781888451955
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Minimum Purchase
25 unit(s)
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  • Product Details

    Author:
    Lawrence Block
    Format:
    Paperback
    Pages:
    257
    Publisher:
    Akashic Books, Ltd. (April 1, 2006)
    Imprint:
    Akashic Books, Ltd.
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781888451955
    ISBN-10:
    1888451955
    Weight:
    9.6oz
    Dimensions:
    5.3" x 8.3" x 0.8"
    File:
    -NortonNorton_032826-20260329.xml
    List Price:
    $15.95
    Pub Discount:
    65
    Series:
    Akashic Noir
    Case Pack:
    40
    As low as:
    $12.28
    Publisher Identifier:
    P-WWN
    Discount Code:
    B
  • Overview

    “A pleasing variety of Manhattan neighborhoods come to life in Block’s solid anthology . . . the writing is of a high order and a nice mix of styles.” —Publishers Weekly

    Akashic Books continues its groundbreaking series of original noir anthologies, launched in 2004 with Brooklyn Noir. Each story is set in a distinct neighborhood or location within the city of the book.

    Brand-new stories by: Jeffery Deaver, Lawrence Block, Charles Ardai, Carol Lea Benjamin, Thomas H. Cook, Jim Fusilli, Robert Knightly, John Lutz, Liz Martínez, Maan Meyers, Martin Meyers, S.J. Rozan, Justin Scott, C.J. Sullivan, and Xu Xi.

    From the introduction by Lawrence Block:

    “Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood—Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book’s contents do a good job of covering the island, from C.J. Sullivan’s Inwood and Charles Ardai’s Upper East Side, to Justin Scott’s Chelsea and Carol Lea Benjamin’s Greenwich Village. The range in mood and literary style is at least as great; noir can be funny, it can stretch to include magic realism, it can be ample or stark, told in the past or present tense, and in the first or third person. I wouldn’t presume to define noir—if we could define it, we wouldn’t need to use a French word for it—but it seems to me that it’s more a way of looking at the world than what one sees.”