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Making the World Global (U.S. Universities and the Production of the Global Imaginary)

List Price: $34.95
SKU:
9781478004738
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  • Product Details

    Author:
    Isaac A. Kamola
    Format:
    Paperback
    Pages:
    304
    Publisher:
    Duke University Press (June 7, 2019)
    Imprint:
    Duke University Press
    Language:
    English
    Audience:
    Professional and scholarly
    ISBN-13:
    9781478004738
    ISBN-10:
    1478004738
    Weight:
    14.4oz
    Dimensions:
    6" x 9"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20250917125829-20250918.xml
    Folder:
    TWO RIVERS
    List Price:
    $34.95
    Country of Origin:
    United States
    Case Pack:
    40
    As low as:
    $26.91
    Publisher Identifier:
    P-PER
    Discount Code:
    A
    Pub Discount:
    46
  • Overview

    Following World War II the American government and philanthropic foundations fundamentally remade American universities into sites for producing knowledge about the world as a collection of distinct nation-states. As neoliberal reforms took hold in the 1980s, visions of the world made popular within area studies and international studies found themselves challenged by ideas and educational policies that originated in business schools and international financial institutions. Academics within these institutions reimagined the world instead as a single global market and higher education as a commodity to be bought and sold. By the 1990s, American universities embraced this language of globalization, and globalization eventually became the organizing logic of higher education. In Making the World Global Isaac A. Kamola examines how the relationships among universities, the American state, philanthropic organizations, and international financial institutions created the conditions that made it possible to imagine the world as global. Examining the Center for International Studies, Harvard Business School, the World Bank, the Social Science Research Council, and NYU, Kamola demonstrates that how we imagine the world is always symptomatic of the material relations within which knowledge is produced.