Luigi Lucioni (Modern Light)
List Price:
$55.00
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Product Details
Author:
David Brody, Thomas Denenberg, Katie Wood Kirchhoff, Alexander Nemerov, Richard Saunders
Format:
Hardcover
Pages:
160
Publisher:
Rizzoli (May 3, 2022)
Language:
English
ISBN-13:
9780847869916
ISBN-10:
0847869911
Weight:
45oz
Dimensions:
9.82" x 10.8" x 0.86"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T121903_156890347-20260705.xml
Folder:
RandomHouse
List Price:
$55.00
Case Pack:
10
As low as:
$47.30
Publisher Identifier:
P-RH
Discount Code:
C
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Hong Kong
Pub Discount:
60
Imprint:
Rizzoli Electa
Overview
A revelatory look at this Italian-American modernist painter of highly realistic and romanticized still lifes, landscapes, and portraits drawn from his life in the gay New York scene and rural Vermont.
This first comprehensive survey of the life and work of Luigi Lucioni (1900–1988) places him in the context of fellow Regionalist painters Grant Wood, Charles Sheeler, and Maxfield Parrish. Lucioni is known for meticulously rendered still lifes, landscapes, and arresting portraits drawn from his close-knit circle of queer New York artists and cultural figures, including Paul Cadmus, Jared French, George Platt Lynes, and Lincoln Kirstein. In the early 1930s, Lucioni discovered Vermont, whose landscapes reminded him of northern Italy. It was there that he met Electra Havemeyer Webb, who was to become his single most important patron. For more than 50 years, the New York City–based artist spent every summer painting landscapes of trees, barns, and buildings in Vermont with sharply observed realism and a cool, precise style.
Key scholars examine Lucioni’s oeuvre, materials, techniques, and his role in American modernism.
This first comprehensive survey of the life and work of Luigi Lucioni (1900–1988) places him in the context of fellow Regionalist painters Grant Wood, Charles Sheeler, and Maxfield Parrish. Lucioni is known for meticulously rendered still lifes, landscapes, and arresting portraits drawn from his close-knit circle of queer New York artists and cultural figures, including Paul Cadmus, Jared French, George Platt Lynes, and Lincoln Kirstein. In the early 1930s, Lucioni discovered Vermont, whose landscapes reminded him of northern Italy. It was there that he met Electra Havemeyer Webb, who was to become his single most important patron. For more than 50 years, the New York City–based artist spent every summer painting landscapes of trees, barns, and buildings in Vermont with sharply observed realism and a cool, precise style.
Key scholars examine Lucioni’s oeuvre, materials, techniques, and his role in American modernism.
