Lucas Arruda: Qu'importe le paysage
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$70.00
| Expected release date is Feb 16th 2027 |
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Product Details
Author:
Lucas Arruda, Nicolas Gausserand, Christine Smallwood
Format:
Hardcover
Pages:
144
Publisher:
David Zwirner Books (February 16, 2027)
Imprint:
David Zwirner Books
Release Date:
February 16, 2027
Language:
English
Audience:
General/trade
ISBN-13:
9781644231883
ISBN-10:
1644231883
Weight:
19.33oz
Dimensions:
8.25" x 11"
File:
Eloquence-SimonSchuster_07152026_P10337491_onix30-20260715.xml
List Price:
$70.00
Pub Discount:
65
Case Pack:
10
As low as:
$53.90
Publisher Identifier:
P-SS
Discount Code:
A
Folder:
Eloquence
Overview
Celebrating Lucas Arruda’s landmark exhibition at the Musée d’Orsay, this captivating catalogue showcases his luminous landscapes in the compelling context of the museum’s collection.
Brazilian painter Lucas Arruda creates landscapes that hover between the real and the imagined. For more than fifteen years, his ongoing Deserto-Modelo series of intimate, small-format paintings has explored light as a central, shaping force. “It is light that guides my painting,” Arruda explains, “creating intensity and giving rise to spaces that are neither abstract nor figurative.” While his focus on atmosphere and perception recalls impressionist painters, Arruda does not work from plein air studies or photographs. Instead, his images emerge from memory and imagination—interior visions that feel both timeless and deeply personal.
This publication accompanies Lucas Arruda: Qu’importe le paysage, the artist’s first major solo exhibition in France, which was held at the Musée d’Orsay in 2025. For the exhibition, Arruda selected works by nineteenth-century masters such as Claude Monet, Camille Pissarro, and Alfred Sisley to appear alongside his own, opening a dialogue across centuries. An essay by the curator Nicolas Gausserand illuminates these connections, tracing the affinities between Arruda’s contemporary practice and the impressionist legacy. The writer Christine Smallwood explores in a new essay how light figures in Arruda’s landscapes to create a sense of timelessness that has a magnetic effect on viewers.
Brazilian painter Lucas Arruda creates landscapes that hover between the real and the imagined. For more than fifteen years, his ongoing Deserto-Modelo series of intimate, small-format paintings has explored light as a central, shaping force. “It is light that guides my painting,” Arruda explains, “creating intensity and giving rise to spaces that are neither abstract nor figurative.” While his focus on atmosphere and perception recalls impressionist painters, Arruda does not work from plein air studies or photographs. Instead, his images emerge from memory and imagination—interior visions that feel both timeless and deeply personal.
This publication accompanies Lucas Arruda: Qu’importe le paysage, the artist’s first major solo exhibition in France, which was held at the Musée d’Orsay in 2025. For the exhibition, Arruda selected works by nineteenth-century masters such as Claude Monet, Camille Pissarro, and Alfred Sisley to appear alongside his own, opening a dialogue across centuries. An essay by the curator Nicolas Gausserand illuminates these connections, tracing the affinities between Arruda’s contemporary practice and the impressionist legacy. The writer Christine Smallwood explores in a new essay how light figures in Arruda’s landscapes to create a sense of timelessness that has a magnetic effect on viewers.









