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Little Novels of Sicily - 9781782697077

List Price: $16.95
SKU:
9781782697077
Quantity:
Minimum Purchase
25 unit(s)
Expected release date is Oct 27th 2026
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  • Product Details

    Author:
    Giovanni Verga, D.H. Lawrence
    Format:
    Paperback
    Pages:
    176
    Publisher:
    Pushkin Press (October 27, 2026)
    Imprint:
    Pushkin Press Classics
    Release Date:
    October 27, 2026
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781782697077
    ISBN-10:
    1782697071
    Weight:
    13oz
    Dimensions:
    5.0625" x 7.8125"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260423T225302_155994759-20260423.xml
    Folder:
    RandomHouse
    List Price:
    $16.95
    Country of Origin:
    United Kingdom
    Pub Discount:
    65
    Series:
    Pushkin Press Classics
    Case Pack:
    24
    As low as:
    $13.05
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
  • Overview

    AVAILABLE AGAIN: a highly anticipated new edition of 12 poetically ironic short stories of 19th-century Sicily by a realist master, translated and introduced by D.H. Lawrence.

    “Intoxicating... His finest work... How acutely Verga understood the tragic contradictions that still disturb our modern experience.” —New York Review of Books


    First published in a single volume in 1883, the 12 stories collected in this beautiful new paperback edition are drawn from the Sicily of Giovanni Verga's childhood, reported at the time to be the poorest place in Europe. Verga's style is swift, sure, and implacable; he plunges into his stories almost in midbreath, and tells them with a stark economy of words. There's something dark and tightly coiled at the heart of each story, an ironic, bitter resolution that is belied by the deceptive simplicity of Verga's prose, and Verga strikes just when the reader's not expecting it.

    Translator D. H. Lawrence surely found echoes of his own upbringing in Verga's sketches of Sicilian life: the class struggle between property owners and tenants, the relationship between men and the land, and the unsentimental, sometimes startlingly lyric evocation of the landscape.

    Just as Lawrence veers between loving and despising the industrial North and its people, so too Verga shifts between affection for and ironic detachment from the superstitious, uneducated, downtrodden working poor of Sicily. If Verga reserves pity for anyone or anything, it is the children and the animals, but he doesn't spare them. In his experience, it is the innocents who suffer first and last and always.