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Lindsay Anderson (Cinema authorship)

List Price: $130.00
SKU:
9780719083389
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  • Product Details

    Author:
    John Izod, Karl Magee, Kathryn Hannan, Isabelle Gourdin-Sangouard
    Format:
    Hardcover
    Pages:
    288
    Publisher:
    Manchester University Press (August 2, 2012)
    Imprint:
    Manchester University Press
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780719083389
    ISBN-10:
    0719083389
    Weight:
    15.2oz
    Dimensions:
    6.14" x 9.21" x 0.81"
    File:
    TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260928163227-20260928.xml
    Folder:
    TWO RIVERS
    List Price:
    $130.00
    Country of Origin:
    United Kingdom
    Pub Discount:
    65
    Series:
    British Film-Makers
    Case Pack:
    20
    As low as:
    $100.10
    Publisher Identifier:
    P-PER
    Discount Code:
    A
  • Overview

    In a long and varied career, Lindsay Anderson made training films, documentaries, searing family dramas and blistering satires, including This Sporting Life, O Lucky Man! and Britannia Hospital.

    Students of British cinema and television from the 1950s to 1990s will find this book a valuable source of information about a director whose work came to public attention with Free Cinema but who, unlike many of his peers in that movement did not take the Hollywood route to success. What emerges is a strong feeling for the character of the man as well as for a remarkable career in British cinema.

    The book will appeal to admirers, researchers and students alike. Making use of hitherto unseen original materials from Anderson’s extensive personal and professional records, it is most valuable as a study of how the films came about: the production problems involved, the collaborative input of others, as well as the completed films’ promotion and reception.

    It also offers a finely argued take on the whole issue of film authorship, and achieves the rare feat of being academically authoritative whilst also being completely accessible. It prompts renewed respect for the man and the artist and a desire to watch the films all over again.