Leslie Thornton
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Product Details
Author:
Natalie Bell, Dan Kidner, Milan Ther
Format:
Paperback
Pages:
224
Publisher:
MIT Press (August 23, 2022)
Language:
English
ISBN-13:
9783956795985
ISBN-10:
3956795989
Weight:
32.2oz
Dimensions:
8" x 10" x 0.8"
Case Pack:
12
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20261004T124610_158010651-20261004.xml
Folder:
RandomHouse
List Price:
$36.00
As low as:
$27.72
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Belgium
Pub Discount:
65
Imprint:
Sternberg Press
Overview
The first monograph on artist and filmmaker Leslie Thornton: essential, foundational scholarship on her influential work in film and video.
Produced on the occasion of a major solo exhibition of Leslie Thornton at the MIT List Visual Arts Center, as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume will be the first monograph on this important artist and filmmaker, and offers essential, foundational scholarship on Thornton’s influential work in film and video.
Thornton’s early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.
Copublished with MIT List Visual Arts Center and Kunstverein Nürnberg
Produced on the occasion of a major solo exhibition of Leslie Thornton at the MIT List Visual Arts Center, as well as a recent solo exhibition at Kunstverein Nurnberg, this richly illustrated volume will be the first monograph on this important artist and filmmaker, and offers essential, foundational scholarship on Thornton’s influential work in film and video.
Thornton’s early encounters with experimental, structuralist, and cinéma vérité traditions fueled her iconoclastic take on the moving image and gave shape to her practice of weaving together her own footage and voice with archival film and audio. In part through her forceful and dynamic use of sound, Thornton exposes the limits of language and vision in her works, while acknowledging the ways that language and vision nevertheless remain central to scientific discourse and narrative in general. Her work consistently interrogates modes of representation and the violence of looking, pushing beyond critiques of the gaze to consider biases in perception, or the way voice and sound can undermine an otherwise dominant visual narrative.
Copublished with MIT List Visual Arts Center and Kunstverein Nürnberg
