Inhabit the Poem: Last Essays
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Product Details
Author:
Helen Vendler
Format:
Hardcover
Pages:
290
Publisher:
Library of America (September 2, 2025)
Language:
English
Audience:
General/trade
ISBN-13:
9781598538274
ISBN-10:
1598538276
Weight:
16oz
Dimensions:
5.33" x 8.31" x 0.96"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T120702_156890283-20260705.xml
Folder:
RandomHouse
List Price:
$24.95
Country of Origin:
United States
Pub Discount:
65
Case Pack:
24
As low as:
$19.21
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Imprint:
Library of America
Overview
In 13 essays, the great poetry critic offers her final word on the poems and poets who have meant the most to her, from Walt Whitman and Emily Dickinson to Wallace Stevens and Sylvia Plath
Helen Vendler was our greatest reader of poetry, a scholar who illuminiated its inner mechanisms and emotional roots for a wide audience.
Always attentive to the stylistic and imaginative features of a poem, Vendler addresses the work of a wide range of American, English, and Irish poets—both the canonical and the unexpected—in 13 essays:
• Walt Whitman, author of the first PTSD poem
• Sylvia Plath, and the lost poetry of motherhood
• William Cowper, James Merrill, and A. R. Ammons on poetric charm
• Emily Brontë and Emily Dickinson, linked by a poetic mystery
• Ocean Vuong and the shaping imagination of poetry today
• Wallace Stevens and the enigma of beauty.
In these and other essays Vendler demonstrates once again why the Irish poet Seamus Heaney called her “the best close reader of poems to be found on the literary pages.” The thirteen poignant essays gathered here were all published in the last three years of Vendler's life, in Liberties magazine, and intended as her final book. The author’s preface was completed only three days before her death, at age ninety.
Helen Vendler was our greatest reader of poetry, a scholar who illuminiated its inner mechanisms and emotional roots for a wide audience.
Always attentive to the stylistic and imaginative features of a poem, Vendler addresses the work of a wide range of American, English, and Irish poets—both the canonical and the unexpected—in 13 essays:
• Walt Whitman, author of the first PTSD poem
• Sylvia Plath, and the lost poetry of motherhood
• William Cowper, James Merrill, and A. R. Ammons on poetric charm
• Emily Brontë and Emily Dickinson, linked by a poetic mystery
• Ocean Vuong and the shaping imagination of poetry today
• Wallace Stevens and the enigma of beauty.
In these and other essays Vendler demonstrates once again why the Irish poet Seamus Heaney called her “the best close reader of poems to be found on the literary pages.” The thirteen poignant essays gathered here were all published in the last three years of Vendler's life, in Liberties magazine, and intended as her final book. The author’s preface was completed only three days before her death, at age ninety.








