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Last Days at Hot Slit (The Radical Feminism of Andrea Dworkin)

List Price: $18.95
SKU:
9781635900804
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  • Product Details

    Author:
    Andrea Dworkin, Johanna Fateman, Amy Scholder
    Series:
    Semiotext(e) / Native Agents
    Format:
    Paperback
    Pages:
    408
    Publisher:
    MIT Press (March 5, 2019)
    Language:
    English
    ISBN-13:
    9781635900804
    ISBN-10:
    1635900808
    Weight:
    22.2oz
    Dimensions:
    5.4" x 8" x 1.1"
    Case Pack:
    24
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T165252_155746787-20260405.xml
    Folder:
    RandomHouse
    List Price:
    $18.95
    As low as:
    $14.59
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
    Audience:
    General/trade
    Country of Origin:
    United States
    Pub Discount:
    65
    Imprint:
    Semiotext(e)
  • Overview

    Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s.

    Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency.

    Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes “Goodbye to All This” (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and “My Suicide” (1999), a despairing long-form essay found on her hard drive after her death in 2005.