Lalitha Lajmi
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Product Details
Author:
Skye Arundhati-Thomas
Format:
Paperback
Pages:
104
Publisher:
MIT Press (March 4, 2025)
Language:
English
ISBN-13:
9781915609342
ISBN-10:
1915609348
Weight:
3.6oz
Dimensions:
4.44" x 6.31" x 0.3"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T074420_156615826-20260617.xml
Folder:
RandomHouse
List Price:
$17.95
Series:
Imagine Otherwise
Case Pack:
46
As low as:
$13.82
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
Lithuania
Pub Discount:
65
Imprint:
Sternberg Press
Overview
The first published monograph on the late Indian artist Lalitha Lajmi and her captivating self-portraits.
Self-taught painter Lalitha Lajmi (1932–2023) was born in Kolkata, India, into a family with a keen interest in the arts, yet her artistic fervor was nonetheless limited by her circumstances. As a mother, Lajmi set up her first studio in her garage, working on her multivalent practice long into the night. Her initial investigations began with realism and later moved into expressions of Tantrism and the concept of Bindu. Critical acknowledgment of Lajmi’s work would not materialize until the very end of her life. The artist died soon after her first museum survey at Mumbai’s National Gallery of Modern Art.
In this first critical volume and biography of the artist, author Skye Arundhati Thomas delves into Lajmi’s archives, papers, letters, and sketchbooks in pursuit of clues about the artist’s character. Arundhati-Thomas also reveals the critical role that psychoanalysis played in the evolution of Lajmi’s art into the realm of the conceptual and, specifically, a distinctly situated form of autoethnography. Studying Lajmi’s relationship with her psychoanalyst, Thomas describes how these sessions fueled a practice of self-portraiture that formed the bedrock of the artist’s practice.
Published by Sternberg Press in collaboration with artPost21
Self-taught painter Lalitha Lajmi (1932–2023) was born in Kolkata, India, into a family with a keen interest in the arts, yet her artistic fervor was nonetheless limited by her circumstances. As a mother, Lajmi set up her first studio in her garage, working on her multivalent practice long into the night. Her initial investigations began with realism and later moved into expressions of Tantrism and the concept of Bindu. Critical acknowledgment of Lajmi’s work would not materialize until the very end of her life. The artist died soon after her first museum survey at Mumbai’s National Gallery of Modern Art.
In this first critical volume and biography of the artist, author Skye Arundhati Thomas delves into Lajmi’s archives, papers, letters, and sketchbooks in pursuit of clues about the artist’s character. Arundhati-Thomas also reveals the critical role that psychoanalysis played in the evolution of Lajmi’s art into the realm of the conceptual and, specifically, a distinctly situated form of autoethnography. Studying Lajmi’s relationship with her psychoanalyst, Thomas describes how these sessions fueled a practice of self-portraiture that formed the bedrock of the artist’s practice.
Published by Sternberg Press in collaboration with artPost21
