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- De las mujeres / About Women (Spanish Edition) - 9788410214439
De las mujeres / About Women (Spanish Edition) - 9788410214439
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$22.95
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Product Details
Author:
Susan Sontag
Format:
Paperback
Pages:
232
Publisher:
PRH Grupo Editorial (April 7, 2026)
Imprint:
Debate
Language:
Spanish
Audience:
General/trade
ISBN-13:
9788410214439
ISBN-10:
8410214431
Weight:
6oz
Dimensions:
4.33" x 7.09" x 0.53"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260406T234753_155762883-20260406.xml
Folder:
RandomHouse
List Price:
$22.95
Country of Origin:
Spain
Pub Discount:
65
Case Pack:
28
As low as:
$17.67
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Overview
Una introducción concisa y brillante a la obra de Susan Sontag sobre las mujeres, que reúne sus primeros ensayos, varios de ellos inéditos en español, relativos al envejecimiento, la igualdad, la belleza, la sexualidad y el fascismo.
Susan Sontag fue una de las pensadoras más formidables, originales e influyentes del siglo pasado. «Las ideas más interesantes son las herejías», sostenía. Y en efecto: sus escritos descartan lo trillado y se niegan a seguir las líneas partidistas.
De las mujeres ofrece siete ensayos y debates sobre una amplia gama de asuntos: los desafíos y humillaciones a las que se enfrentan las mujeres a medida que envejecen; la relación entre la liberación de la mujer y la lucha de clases; la belleza, que Sontag llama «esa pócima demasiado pesada de tantos consabidos opuestos»; el feminismo; el fascismo; y el cine. En conjunto, estos análisis, reacios a la fácil categorización, muestran no sólo su curiosidad implacable, su precisión histórica y su vigor político, sino la inimitable mente de Sontag en acción.
ENGLISH DESCRIPTION
A concise and brilliant introduction to Susan Sontag’s writings on women, bringing together her early essays—several of them never before published in English—on aging, equality, beauty, sexuality, and fascism.
Susan Sontag was one of the most formidable, original, and influential thinkers of the 20th century. “The most interesting ideas are heresies,” she claimed—and indeed, her work rejects convention and refuses to follow partisan lines.
On Women presents seven essays and debates on a wide range of topics: the challenges and humiliations women face as they age; the connection between women’s liberation and class struggle; beauty, which Sontag describes as “that overly potent potion of so many familiar opposites”; feminism; fascism, and cinema. Together, these analyses—resistant to an easy categorization—reveal not only her relentless curiosity, historical precision, and political vigor, but also the unmistakable brilliance of Sontag’s mind at work.
Susan Sontag fue una de las pensadoras más formidables, originales e influyentes del siglo pasado. «Las ideas más interesantes son las herejías», sostenía. Y en efecto: sus escritos descartan lo trillado y se niegan a seguir las líneas partidistas.
De las mujeres ofrece siete ensayos y debates sobre una amplia gama de asuntos: los desafíos y humillaciones a las que se enfrentan las mujeres a medida que envejecen; la relación entre la liberación de la mujer y la lucha de clases; la belleza, que Sontag llama «esa pócima demasiado pesada de tantos consabidos opuestos»; el feminismo; el fascismo; y el cine. En conjunto, estos análisis, reacios a la fácil categorización, muestran no sólo su curiosidad implacable, su precisión histórica y su vigor político, sino la inimitable mente de Sontag en acción.
ENGLISH DESCRIPTION
A concise and brilliant introduction to Susan Sontag’s writings on women, bringing together her early essays—several of them never before published in English—on aging, equality, beauty, sexuality, and fascism.
Susan Sontag was one of the most formidable, original, and influential thinkers of the 20th century. “The most interesting ideas are heresies,” she claimed—and indeed, her work rejects convention and refuses to follow partisan lines.
On Women presents seven essays and debates on a wide range of topics: the challenges and humiliations women face as they age; the connection between women’s liberation and class struggle; beauty, which Sontag describes as “that overly potent potion of so many familiar opposites”; feminism; fascism, and cinema. Together, these analyses—resistant to an easy categorization—reveal not only her relentless curiosity, historical precision, and political vigor, but also the unmistakable brilliance of Sontag’s mind at work.
