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Knowing Britten
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Product Details
Author:
Steuart Bedford, Christopher Gillett
Format:
Paperback
Pages:
208
Publisher:
Boydell & Brewer Inc. (May 21, 2021)
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9780957167223
ISBN-10:
0957167229
Weight:
12.64oz
Dimensions:
5.08" x 7.8"
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20251014163305-20251015.xml
Folder:
TWO RIVERS
List Price:
$29.99
Country of Origin:
United Kingdom
Pub Discount:
40
Case Pack:
20
As low as:
$26.99
Publisher Identifier:
P-PER
Discount Code:
G
Imprint:
Bittern Press
Overview
Knowing Britten is a vivid and insightful account of Steuart Bedford's long association with both Britten the man and his music - 2021 Book of the Year -Presto Music
The conductor and pianist Steuart Bedford (1939-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, he took on responsibility for the premiere performances of Britten's final opera, Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.
The conductor and pianist Steuart Bedford (1939-2021) could not remember a time when he did not know Benjamin Britten. His mother, Lesley Duff, sang with the English Opera Group in the premieres of The Rape of Lucretia and Albert Herrring in the late 1940s, and the family was closely involved with Britten and Pears for many years. Following his music studies and time on the music staff at Glyndebourne, Bedford joined the English Opera Group, gradually becoming Britten's trusted surrogate conductor. As Britten's health began to fail, he took on responsibility for the premiere performances of Britten's final opera, Death in Venice, including its US premiere at the Metropolitan Opera, New York, and the dramatic cantata Phaedra among others.
