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Just in Time (Temporality, Aesthetic Experience, and Cognitive Neuroscience)

List Price: $40.00
SKU:
9780262048040
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  • Product Details

    Author:
    G. Gabrielle Starr
    Format:
    Hardcover
    Pages:
    244
    Publisher:
    MIT Press (June 6, 2023)
    Language:
    English
    ISBN-13:
    9780262048040
    ISBN-10:
    0262048043
    Weight:
    18.4oz
    Dimensions:
    6.25" x 9.31" x 0.78"
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T170302_155746821-20260405.xml
    Folder:
    RandomHouse
    List Price:
    $40.00
    Case Pack:
    28
    As low as:
    $30.80
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
    Audience:
    General/trade
    Country of Origin:
    United States
    Pub Discount:
    65
    Imprint:
    The MIT Press
  • Overview

    Literature and neuroscience come together to illuminate the human experience of beauty, which unfolds in time.

    How does beauty exist in time? This is Gabrielle Starr’s central concern in Just in Time as she explores the experience of beauty not as an abstraction, but as the result of psychological and neurological processes in which time is central. Starr shows that aesthetic experience has temporal scale. Starr, a literary scholar and pioneer in the field and method of neuroaesthetics, which seeks the neurological basis of aesthetic experience, applies this methodology to the study of beauty in literature, considering such authors as Rita Dove, Gerard Manley Hopkins, Henry James, Toni Morrison, and Wallace Stevens, as well as the artists Dawoud Bey and Jasper Johns.


    Just in Time is richly informed by the methods and findings of neuroscientists, whose instruments let them investigate encounters with art down to the millisecond, but Starr goes beyond the laboratory to explore engagements with art that unfold over durations experiments cannot accommodate. In neuroaesthetics, Starr shows us, the techniques of the empirical sciences and humanistic interpretation support and complement one another. To understand the temporal quality of aesthetic experience we need both cognitive and phenomenological approaches, and this book moves boldly toward their synthesis.