Joan Mitchell: Paintings (1979-1985)
List Price:
$60.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Joan Mitchell, Julie Otsuka, Shinique Smith, Yves Michaud, Lily Stockman
Format:
Hardcover
Pages:
104
Publisher:
David Zwirner Books (September 3, 2024)
Language:
English
Audience:
General/trade
ISBN-13:
9781644231180
ISBN-10:
1644231182
Weight:
33.6oz
Dimensions:
9.25" x 12.5" x 0.6"
File:
Eloquence-SimonSchuster_06032026_P10163223_onix30_Complete-20260603.xml
Folder:
Eloquence
List Price:
$60.00
Case Pack:
16
As low as:
$46.20
Publisher Identifier:
P-SS
Discount Code:
A
Pub Discount:
65
Imprint:
David Zwirner Books
Overview
Discover Joan Mitchell’s powerful and dynamic work—spotlighted in this book as never before
“An entry for one of the best shows of 2022. . . . Mitchell, then in her 50s, reaches peak form in gathering brushstrokes that flicker and burn like auras on fire.” —Jerry Saltz, New York magazine
This highly anticipated publication focuses on the years 1979 to 1985—a significant and deeply generative period within Joan Mitchell’s decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vétheuil, France—surrounded by lush gardens, and challenged and inspired by new creative relationships—her studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchell’s nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials.
Included in the book are several texts that complement the illustrated works. A new essay by the bestselling author Julie Otsuka recollects her encounters with Mitchell’s paintings over the years. A fascinating conversation between Mitchell and the French philosopher Yves Michaud from 1986 is featured. Reflections by the artists Shinique Smith and Lily Stockman each explore a unique component of Mitchell’s oeuvre or practice, underscoring Mitchell’s continued influence on artists today.
“An entry for one of the best shows of 2022. . . . Mitchell, then in her 50s, reaches peak form in gathering brushstrokes that flicker and burn like auras on fire.” —Jerry Saltz, New York magazine
This highly anticipated publication focuses on the years 1979 to 1985—a significant and deeply generative period within Joan Mitchell’s decades-long career. As Mitchell became even more fully immersed in daily life at her property in Vétheuil, France—surrounded by lush gardens, and challenged and inspired by new creative relationships—her studio practice flourished and her work became even more ambitious and expansive. Executed in an increasingly bold palette, the works from this period exemplify Mitchell’s nuanced mastery of composition, scale, and color. In addition to her large-scale abstract works, this publication features numerous smaller paintings and a selection of archival materials.
Included in the book are several texts that complement the illustrated works. A new essay by the bestselling author Julie Otsuka recollects her encounters with Mitchell’s paintings over the years. A fascinating conversation between Mitchell and the French philosopher Yves Michaud from 1986 is featured. Reflections by the artists Shinique Smith and Lily Stockman each explore a unique component of Mitchell’s oeuvre or practice, underscoring Mitchell’s continued influence on artists today.
