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Jewelry on the Wild Side
| Expected release date is Sep 15th 2026 |
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
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Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Overview
"A choker adorned with yak teeth, an oversize red eel-skin ring and a blue ostrich feather brooch are just a few of the unusual jewels owned by the graphic designer Elena Agostinis, who has turned her collection into a lively, color-drenched 335-page book." —THE NEW YORK TIMES
This second Wild Side book continues to explore Elena Agostinis’s fascination with artists using the ordinary in extraordinary ways. In this book, the focus is on artists who make jewelry using materials not commonly associated with traditional jewelry-making.
While traveling afar, Elena’s profound realization was that people in the most far-flung places in the world all have this powerful urge to self-adorn. Despite never having been a jeweler, what she found fascinating was that the materials used by these artists and artisans are often simply what the earth yields. She’s tried to include works that illustrate these remarkable innovations and the materials used.
The wearable artworks chosen for this book all appear to comply with this extraordinary principle. Ms. Zanella’s work and the unique creations of so many other artists included here, all follow suit. Elena tried to carry this “lightness” through in my presentation of the artists’ creations as well.
The hope is that readers, conformists and non-conformists alike, will marvel at concepts that can open all our minds and hearts to a world of colorful, wearable art, enabling us to seek out, try on, to feel the “fit” and to understand its formidable existential effect.









