Japanese Plays (Classic Noh, Kyogen and Kabuki Works)
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$21.99
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Product Details
Author:
A.L. Sadler, Paul S. Atkins, Ph.D.
Format:
Paperback
Pages:
320
Publisher:
Tuttle Publishing (March 10, 2010)
Language:
English
ISBN-13:
9784805310731
ISBN-10:
4805310731
Dimensions:
5.12" x 8" x 0.67"
Case Pack:
40
File:
PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20260513164611-20260513.xml
Folder:
PGW
List Price:
$21.99
As low as:
$16.93
Publisher Identifier:
P-PER
Discount Code:
A
Series:
Tuttle Classics
Audience:
General/trade
Country of Origin:
Singapore
Weight:
11.2oz
Imprint:
Tuttle Publishing
Pub Discount:
65
Overview
Classic Noh, Kyogen and Kabuki Works
Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind with words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic in its time, it provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power.
Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind with words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic in its time, it provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power.
- The power of Noh is in its ability to create an iconic world that represents the attributes that the Japanese hold in highest esteem: family, patriotism, and honor.
- Kyogen plays provide comic relief often times performed between the serious and stoic Noh plays. Similarly, Sadler's translated Kyogen pieces are layered between the Noh and the Kabuki plays.
- The Kabuki plays were the theater of the common people of Japan. The course of time has given them the patina of folk art making them precious cultural relics of Japan. Sadler selected these pieces for translation because of their lighter subject matter and relatively upbeat endings—ideal for a western readership. More linear in their telling and pedestrian in the lessons learned these plays show the difficulties of being in love when a society is bent on conformity and paternal rule.








