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Janet Malcolm: The Last Interview (and Other Conversations)
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$17.99
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Product Details
Author:
MELVILLE HOUSE, Katie Roiphe
Format:
Paperback
Pages:
128
Publisher:
Melville House (June 14, 2022)
Language:
English
ISBN-13:
9781612199689
ISBN-10:
1612199682
Weight:
4.6oz
Dimensions:
5.48" x 8.14" x 0.34"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260405T171253_155746859-20260405.xml
Folder:
RandomHouse
List Price:
$17.99
Series:
The Last Interview Series
Case Pack:
24
As low as:
$13.85
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Audience:
General/trade
Country of Origin:
United States
Pub Discount:
65
Imprint:
Melville House
Overview
A provocative collection of interviews with the sublimely talented author of The Journalist and the Murderer
The legendary journalist, Janet Malcolm, opened her most famous work The Journalist and the Murderer with the line: “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.”
Ever since its publication in 1980, she only increased her reputation as a devastatingly sharp writer, whose eye for observation is matched only by her formal inventiveness and philosophical interrogations of the relationship between journalist and subject.
Predictably, as an interview subject herself, she was an intimidating mark. In this collection, interviewers tangle with their own projections and identifications, while she often, gamely, plays along. Full of insights about her writing process, the craft of journalism, and her own analysis of her most famous works, this collection proves that Janet Malcolm is just as elusive and enlightening in conversation as she was on paper.
The legendary journalist, Janet Malcolm, opened her most famous work The Journalist and the Murderer with the line: “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.”
Ever since its publication in 1980, she only increased her reputation as a devastatingly sharp writer, whose eye for observation is matched only by her formal inventiveness and philosophical interrogations of the relationship between journalist and subject.
Predictably, as an interview subject herself, she was an intimidating mark. In this collection, interviewers tangle with their own projections and identifications, while she often, gamely, plays along. Full of insights about her writing process, the craft of journalism, and her own analysis of her most famous works, this collection proves that Janet Malcolm is just as elusive and enlightening in conversation as she was on paper.








