Invisible Lines, Immortal Beams
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$40.00
| Expected release date is Jun 9th 2026 |
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Product Details
Author:
Barry McGlashan
Format:
Hardcover
Pages:
124
Publisher:
Hurtwood Press Ltd (June 9, 2026)
Imprint:
Hurtwood Press Ltd
Release Date:
June 9, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781917627122
ISBN-10:
1917627122
Weight:
28.8oz
Dimensions:
9.1" x 11.2" x 0.7"
File:
Eloquence-SimonSchuster_05122026_P10076431_onix30-20260512.xml
Folder:
Eloquence
List Price:
$40.00
Pub Discount:
65
Series:
Hurtwood Artist & Gallery Series
Case Pack:
10
As low as:
$30.80
Publisher Identifier:
P-SS
Discount Code:
A
Overview
This publication documents two years of work by Edinburgh-based painter Barry McGlashan, including the titular exhibition at Frestonian Gallery, London.
Invisible Lines, Immortal Beams, by Edinburgh-based artist Barry McGlashan (b. 1974, Aberdeen), documents the past two years of his practice, including the celebrated solo exhibition of the same name at Frestonian Gallery from the spring of 2025. Thresholds, metaphorical and literal, are an omnipresent motif in Barry McGlashan’s evocative paintings. The featured works bring viewers to the edge of lakes, to rivers and roads, and lead to the foot of mountains. Other times the viewer is inside, looking out through windows to the landscape and sky beyond. Transcending time and geography, reality and folklore, McGlashan’s dream-like and otherworldly paintings are as haunting as they are enchanting.
This publication also features works presented by the artist and gallery at Art SG in Singapore in early 2025, as well as documentation of The Distant Ideal, McGlashan’s first presentation at Frestonian in March 2024.
Invisible Lines, Immortal Beams, by Edinburgh-based artist Barry McGlashan (b. 1974, Aberdeen), documents the past two years of his practice, including the celebrated solo exhibition of the same name at Frestonian Gallery from the spring of 2025. Thresholds, metaphorical and literal, are an omnipresent motif in Barry McGlashan’s evocative paintings. The featured works bring viewers to the edge of lakes, to rivers and roads, and lead to the foot of mountains. Other times the viewer is inside, looking out through windows to the landscape and sky beyond. Transcending time and geography, reality and folklore, McGlashan’s dream-like and otherworldly paintings are as haunting as they are enchanting.
This publication also features works presented by the artist and gallery at Art SG in Singapore in early 2025, as well as documentation of The Distant Ideal, McGlashan’s first presentation at Frestonian in March 2024.
