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Into the Melée (Selected Essays)
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$34.95
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Product Details
Author:
Francis Mulhern
Format:
Paperback
Pages:
304
Publisher:
Verso Books (June 4, 2024)
Language:
English
Audience:
General/trade
ISBN-13:
9781804293348
ISBN-10:
1804293342
Weight:
10oz
Dimensions:
5.51" x 8.26" x 0.78"
File:
RandomHouse-PRH_Book_Company_PRH_PRT_Onix_full_active_D20260705T120302_156890264-20260705.xml
Folder:
RandomHouse
List Price:
$34.95
Country of Origin:
United Kingdom
Case Pack:
40
As low as:
$26.91
Publisher Identifier:
P-RH
Discount Code:
A
QuickShip:
Yes
Pub Discount:
65
Imprint:
Verso
Overview
An essential collection of literary criticism from Francis Mulhern, author of The Moment of ‘Scrutiny’ and Culture/Metaculture
Into the Melée collects Francis Mulhern's insightful critical writing, much of it in the hybrid literary form that Bagehot described as 'the review-like essay and the essay-like review'. It opens with questions of nationality, from F. R. Leavis's efforts to assert a normatively English literary subject and Ferdinand Mount's exploration of English cultural landscapes to Tom Nairn's political vision of England and Scotland 'after Britain' and Joe Cleary's account of Irish modernism.
Another cluster of texts concerns intellectuals and, in one way or another, the politics of revolution and counter-revolution, from Burke to the present. There is an updated sketch of the magazine n +1 as heir to the militant traditions of Partisan Review. What is literature? Sartre's answer was: committed literature.
The writer as such was of the left. But culture and politics are discrepant practices, inhabiting one another in permanent tension. In its embrace of provisionality and its magpie curiosity, Mulhern observes, the essay is a mode especially well suited to the purposes of a Marxist criticism morally committed to the value of being surprised.
Into the Melée collects Francis Mulhern's insightful critical writing, much of it in the hybrid literary form that Bagehot described as 'the review-like essay and the essay-like review'. It opens with questions of nationality, from F. R. Leavis's efforts to assert a normatively English literary subject and Ferdinand Mount's exploration of English cultural landscapes to Tom Nairn's political vision of England and Scotland 'after Britain' and Joe Cleary's account of Irish modernism.
Another cluster of texts concerns intellectuals and, in one way or another, the politics of revolution and counter-revolution, from Burke to the present. There is an updated sketch of the magazine n +1 as heir to the militant traditions of Partisan Review. What is literature? Sartre's answer was: committed literature.
The writer as such was of the left. But culture and politics are discrepant practices, inhabiting one another in permanent tension. In its embrace of provisionality and its magpie curiosity, Mulhern observes, the essay is a mode especially well suited to the purposes of a Marxist criticism morally committed to the value of being surprised.








