Impressionists on Paper (Degas to Toulouse-Lautrec)
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Product Details
Author:
Ann Dumas, Leïla Jarbouai, Christopher Lloyd, Harriet Stratis
Format:
Hardcover
Pages:
152
Publisher:
Royal Academy of Arts (February 6, 2024)
Imprint:
Royal Academy of Arts
Language:
English
Audience:
General/trade
ISBN-13:
9781912520978
ISBN-10:
1912520974
Weight:
21.2oz
Dimensions:
9.449" x 10.236"
File:
Eloquence-SimonSchuster_05252026_P10126174_onix30-20260524.xml
Folder:
Eloquence
List Price:
$35.00
Pub Discount:
65
Case Pack:
1
As low as:
$26.95
Publisher Identifier:
P-SS
Discount Code:
A
Overview
This publication presents some seventy masterworks on paper by leading Impressionists and Post-Impressionists.
"Monet, van Gogh and Cezanne feature in a pleasurable Royal Academy show that demonstrates why the Impressionists remain the world's favourite set of artists." — Independent
Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and numerous other Impressionists and Post-Impressionists also regularly used paper as a support for works in watercolor, gouache, pencil, tempera and that most elusive of media, pastel. Their practice transformed the status of these works from preparatory studies, to be left in the studio and not shown in public, to works of art in their own right.
With insightful texts by acknowledged experts in the field, this sumptuous book brings together some 70 masterworks on paper by leading Impressionist and Post-Impressionist artists. Their bold innovations challenged traditional attitudes, radically transformed the future direction of art and ultimately paved the way for later movements such as Abstract Expressionism.
"Monet, van Gogh and Cezanne feature in a pleasurable Royal Academy show that demonstrates why the Impressionists remain the world's favourite set of artists." — Independent
Best known for their superlative oils on canvas, Degas, Cézanne, Renoir, Toulouse-Lautrec, Van Gogh and numerous other Impressionists and Post-Impressionists also regularly used paper as a support for works in watercolor, gouache, pencil, tempera and that most elusive of media, pastel. Their practice transformed the status of these works from preparatory studies, to be left in the studio and not shown in public, to works of art in their own right.
With insightful texts by acknowledged experts in the field, this sumptuous book brings together some 70 masterworks on paper by leading Impressionist and Post-Impressionist artists. Their bold innovations challenged traditional attitudes, radically transformed the future direction of art and ultimately paved the way for later movements such as Abstract Expressionism.
