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Images, Artifacts, Architecture (22 Projects SU11 Architecture + Design)
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$45.00
| Expected release date is Oct 20th 2026 |
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Product Details
Author:
Ferda Kolatan
Format:
Hardcover
Pages:
180
Publisher:
ORO Editions (October 20, 2026)
Imprint:
Applied Research & Design
Release Date:
October 20, 2026
Language:
English
Audience:
General/trade
ISBN-13:
9781961856813
ISBN-10:
1961856816
Weight:
18oz
Dimensions:
10" x 8"
File:
CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260814161710-20260814.xml
Folder:
CONSORTIUM
List Price:
$45.00
Country of Origin:
China
As low as:
$38.70
Publisher Identifier:
P-PER
Discount Code:
C
Pub Discount:
60
Case Pack:
14
Overview
This book chronicles 25 years of design research at SU11 Architecture + Design, where ideas, concepts, and techniques have both shaped and been shaped by the evolution of digital and post-digital paradigms.
The projects presented here reflect an era defined by the rise of new technological tools, their rapid proliferation, and the counter-movements critiquing some of their consequences—such as increasing formal homogeneity and the tendency to foster a new “universal” style. Through 22 individual projects, the book offers an eyewitness account of a practice deeply embedded in these transformations. As readers explore these works, they will uncover the influences, concepts, and techniques that have shaped SU11’s pioneering design strategies.
Organized around distinct conceptual and aesthetic themes, the projects trace a disciplinary arc, positioning them within the broader digital and post-digital discourse. Two guiding questions drive SU11’s research: How do technological innovations intersect with contemporary cultural needs and desires? And how can such entwinements be effectively represented through architectural images, artifacts, and buildings? The evolution of these inquiries forms the core of SU11’s design research and the subject of this book.
The projects presented here reflect an era defined by the rise of new technological tools, their rapid proliferation, and the counter-movements critiquing some of their consequences—such as increasing formal homogeneity and the tendency to foster a new “universal” style. Through 22 individual projects, the book offers an eyewitness account of a practice deeply embedded in these transformations. As readers explore these works, they will uncover the influences, concepts, and techniques that have shaped SU11’s pioneering design strategies.
Organized around distinct conceptual and aesthetic themes, the projects trace a disciplinary arc, positioning them within the broader digital and post-digital discourse. Two guiding questions drive SU11’s research: How do technological innovations intersect with contemporary cultural needs and desires? And how can such entwinements be effectively represented through architectural images, artifacts, and buildings? The evolution of these inquiries forms the core of SU11’s design research and the subject of this book.
