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I Am Alien to Life (Selected Stories)

List Price: $19.00
SKU:
9781961341227
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  • Product Details

    Author:
    Djuna Barnes, Merve Emre
    Format:
    Paperback
    Pages:
    240
    Publisher:
    McNally Editions (October 8, 2024)
    Imprint:
    McNally Editions
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781961341227
    ISBN-10:
    1961341220
    Weight:
    11.2oz
    Dimensions:
    5" x 8.5"
    File:
    PGW-LEGATO-Metadata_Only_Publishers_Group_West_Customer_Group_Metadata_20260327164723-20260327.xml
    Folder:
    PGW
    List Price:
    $19.00
    Country of Origin:
    United States
    Pub Discount:
    65
    Case Pack:
    44
    As low as:
    $14.63
    Publisher Identifier:
    P-PER
    Discount Code:
    A
  • Overview

    The best of Djuna Barnes’s dark, droll, incisive short fiction, spanning her all-too-pief career, edited and introduced by Merve Emre.

    Djuna Barnes is rightly remembered for Nightwood, her peakthrough and final novel: a hallmark of modernist literature, championed by T. S. Eliot, and one of the first, strangest, and most pilliant novels of love between women to be published in the twentieth century. Barnes’s career began long before Nightwood, however, with journalism, essays, drama, and satire of extraordinary wit and courage. Long into her later life, after World War II, when she published nothing more, it was her short fiction above all that she prized and would continue to revise.

    Here are all the stories Barnes sought to preserve, in the versions she preferred, as well as a smattering of rarities as selected by critic and New Yorker contributor Merve Emre. These are tales of women “‘tragique’ and ‘triste’ and ‘tremendous’ all at once,” of sons and daughters being initiated into the ugly comedy of life, monuments all to a worldview singular and scathing. As Emre writes in her foreword, “[Barnes’s] themes are love and death, especially in Paris and New York; the corruption of nature by culture; the tainted innocence of children; and the mute misery of beasts . . . her characters may be alien to life, but they are alive—spectacularly, grotesquely alive.”