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How We Survived Communism & Even Laughed

List Price: $18.99
SKU:
9780060975401
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  • Product Details

    Author:
    Slavenka Drakulic
    Format:
    Paperback
    Pages:
    224
    Publisher:
    HarperCollins (May 12, 1993)
    Imprint:
    Harper Perennial
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9780060975401
    ISBN-10:
    0060975407
    Weight:
    6oz
    Dimensions:
    5.31" x 8" x 0.5"
    File:
    hc-Metadata_Only_HarperCollins_US_Metadata_20260728083852-20260728.xml
    Folder:
    hc
    List Price:
    $18.99
    Country of Origin:
    United States
    Pub Discount:
    65
    Case Pack:
    24
    As low as:
    $14.62
    Publisher Identifier:
    P-HC
    Discount Code:
    A
  • Overview

    “She is a writer and journalist whose voice belongs to the world.” — Gloria Steinem

    This essay collection from renowned journalist and novelist Slavenka Drakulic, which quickly became a modern (and feminist) classic, draws back the Iron Curtain for a glimpse at the lives of Eastern European women under Communist regimes. Provocative, witty, and intensely personal, How We Survived Communism and Even Laughed cracks open a paradoxical world that through its rejection of capitalism and commoditization ends up fetishizing both.

    Examining the relationship between material goods and expressions of happiness and individuality in a society where even bananas were an alien luxury, Drakulic homes in on the eradication of female identity, drawing on her own experiences as well as broader cultural observations. Enforced communal housing that allowed for little privacy, the banishment of many time-saving devices, and a focus on manual labor left no room for such bourgeois affectations as cosmetics or clothes, but Drakulic’s remarkable exploration of the reality behind the rhetoric reveals that women still went to desperate lengths to feel “feminine.”

    How We Survived Communism and Even Laughed also chronicles the lingering consequences of such regimes. The Berlin Wall may have fallen, but Drakulic’s power pieces testify that ideology cannot be dismantled so quickly; a lifetime lived in fear cannot be so easily forgotten.