Holy Beauty (Prolegomena to an Orthodox Philokalic Aesthetics)
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Product Details
Author:
Chrysostomos Stamoulis
Format:
Paperback
Pages:
260
Publisher:
Boydell & Brewer Inc. (February 23, 2023)
Imprint:
James Clarke
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9780227178102
ISBN-10:
0227178106
Weight:
12.96oz
Dimensions:
8.98" x 5.98"
File:
TWO RIVERS-PERSEUS-Perseus_Distribution_Customer_Group_Metadata_20260701200438-20260701.xml
Folder:
TWO RIVERS
List Price:
$36.95
Country of Origin:
United Kingdom
Case Pack:
20
As low as:
$28.45
Publisher Identifier:
P-PER
Discount Code:
A
Overview
Reconciling contrasting philosophical strands to unify aesthetics and philokalia in Orthodox theology.
The philosophical and theological study of aesthetics has a long and rich history, stretching back to Plato’s identification of ultimate goodness and beauty, together representing the eternal form. Recent trends in aesthetic theory, however, characterised by a focus on the ‘beautiful’ at the expense of the ‘good’, have made it an object of suspicion in the Orthodox Church. In its place, Greek theologians have sought to emphasise philokalia as a truer theological discipline.
Seeking to reverse this trend, Chrysostomos Stamoulis brings into conversation a plethora of voices, from Church fathers to contemporary poets, and from a Marxist political theorist to a literary critic. Out of this dialogue, Stamoulis builds a model for the re-appropriation of Orthodoxy’s patristic and Byzantine past that is no longer defined in antithesis to the Western present. The openness he proposes allows us to perceive afresh the world ‘shot through with divinity’, if only we can lift our gaze to see it. Dismantling the false dichotomy, philokalia or aesthetics, is the first step.
The philosophical and theological study of aesthetics has a long and rich history, stretching back to Plato’s identification of ultimate goodness and beauty, together representing the eternal form. Recent trends in aesthetic theory, however, characterised by a focus on the ‘beautiful’ at the expense of the ‘good’, have made it an object of suspicion in the Orthodox Church. In its place, Greek theologians have sought to emphasise philokalia as a truer theological discipline.
Seeking to reverse this trend, Chrysostomos Stamoulis brings into conversation a plethora of voices, from Church fathers to contemporary poets, and from a Marxist political theorist to a literary critic. Out of this dialogue, Stamoulis builds a model for the re-appropriation of Orthodoxy’s patristic and Byzantine past that is no longer defined in antithesis to the Western present. The openness he proposes allows us to perceive afresh the world ‘shot through with divinity’, if only we can lift our gaze to see it. Dismantling the false dichotomy, philokalia or aesthetics, is the first step.
