null
Loading... Please wait...
FREE SHIPPING on All Unbranded Items LEARN MORE
Print This Page

Here Lies Love (The Story of a Pop-up Building)

List Price: $29.95
SKU:
9781634059701
Quantity:
Minimum Purchase
25 unit(s)
  • Availability: Confirm prior to ordering
  • Branding: minimum 50 pieces (add’l costs below)
  • Check Freight Rates (branded products only)

Branding Options (v), Availability & Lead Times

  • 1-Color Imprint: $2.00 ea.
  • Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
  • Belly-Band Wrap: $2.50 ea. (full-color printed)
  • Set-Up Charge: $45 per decoration
FULL DETAILS
  • Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
  • Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
  • Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
  • RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
  • Product Details

    Author:
    Fernando Sancho, David Byrne
    Format:
    Hardcover
    Pages:
    176
    Publisher:
    Chin Music Press Inc. (July 14, 2020)
    Language:
    English
    Audience:
    General/trade
    ISBN-13:
    9781634059701
    ISBN-10:
    1634059700
    Dimensions:
    10" x 8"
    File:
    CONSORTIUM-Metadata_Only_Consortium_Customer_Group_Metadata_20260401130216-20260401.xml
    Folder:
    CONSORTIUM
    List Price:
    $29.95
    Case Pack:
    28
    As low as:
    $25.76
    Publisher Identifier:
    P-PER
    Discount Code:
    C
    Country of Origin:
    United States
    Pub Discount:
    60
    Weight:
    21.6oz
    Imprint:
    Chin Music Press Inc.
  • Overview

    David Byrne's play about Imelda Marcos called for the theater to be transformed into a disco. Spanish photographer Fernando Sancho found the whole idea mesmerizing, so he traipsed to a lumberyard in Calgary to capture the making of the pop-up disco, followed it back to Seattle to photograph the all-Asian cast practicing in an abandoned building while they waited for the disco to be installed, and finally chronicled the moments when the cast took the stage in a Seattle Repertory Theater that had been transformed into a 70s era discotheque complete with mirror ball. Interviews with cast members reveal the thrills and challenges of acting in a play where the audience is part of the production.