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Heavy (An American Memoir)
List Price:
$19.00
| Expected release date is Jan 19th 2027 |
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Product Details
Author:
Kiese Laymon
Format:
Paperback
Pages:
256
Publisher:
Scribner (January 19, 2027)
Imprint:
Scribner
Release Date:
January 19, 2027
Language:
English
Audience:
General/trade
ISBN-13:
9781668260531
ISBN-10:
1668260530
Weight:
6.66oz
Dimensions:
5.25" x 8" x 0.64"
File:
Eloquence-SimonSchuster_06152026_P10208322_onix30-20260614.xml
Folder:
Eloquence
List Price:
$19.00
Pub Discount:
65
Case Pack:
40
As low as:
$14.63
Publisher Identifier:
P-SS
Discount Code:
A
Overview
Now in a gorgeous new package designed for the modern reader.
*Selected as One of the Best Books of the 21st Century by The New York Times*
*Winner of the Andrew Carnegie Medal and Finalist for the Kirkus Prize*
*Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed, and more*
The powerful, provocative, award-winning, and universally lauded memoir by genre-bending essayist and novelist Kiese Laymon.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
“A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).
*Selected as One of the Best Books of the 21st Century by The New York Times*
*Winner of the Andrew Carnegie Medal and Finalist for the Kirkus Prize*
*Named a Best Book of the Year by The New York Times, Publishers Weekly, NPR, Broadly, BuzzFeed, and more*
The powerful, provocative, award-winning, and universally lauded memoir by genre-bending essayist and novelist Kiese Laymon.
In Heavy, Laymon writes eloquently and honestly about growing up a hard-headed black son to a complicated and brilliant black mother in Jackson, Mississippi. From his early experiences of sexual violence, to his suspension from college, to time in New York as a college professor, Laymon charts his complex relationship with his mother, grandmother, anorexia, obesity, sex, writing, and ultimately gambling. Heavy is a “gorgeous, gutting…generous” (The New York Times) memoir that combines personal stories with piercing intellect to reflect both on the strife of American society and on Laymon’s experiences with abuse. By attempting to name secrets and lies he and his mother spent a lifetime avoiding, he asks us to confront the terrifying possibility that few in this nation actually know how to responsibly love, and even fewer want to live under the weight of actually becoming free.
“A book for people who appreciated Roxane Gay’s memoir Hunger” (Milwaukee Journal Sentinel), Heavy is defiant yet vulnerable, an insightful, often comical exploration of weight, identity, art, friendship, and family through years of haunting implosions and long reverberations. “You won’t be able to put [this memoir] down…It is packed with reminders of how black dreams get skewed and deferred, yet are also pregnant with the possibility that a kind of redemption may lie in intimate grappling with black realities” (The Atlantic).









