Good Girls Marry Doctors (South Asian American Daughters on Obedience and Rebellion)

Good Girls Marry Doctors: South Asian American Daughters on Obedience and Rebellion, edited by Piyali Bhattacharya, is the first anthology to examine the multiple facets of daughterhood in South Asian American families.

 The voices in this volume reveal how a Good Girl is trained to seamlessly blend professional success with the maintanence and reproduction of her family's cultural heritage. Her gratitude for her immigrant parents' sacrifices creates intense pressure to perform and embody the role of the "perfect daughter." Yet, the demand for such perfection can stifle desire, curb curiosity, and make it fraught for a Good Girl to construct her own identity in the face of stern parental opinion.

 Of course, this is not always the case. Certain stories in this collection uncover relationships between parents and daughters that are open and supportive while also being exacting. Many of the essays, however, dig into difficult truths about what it is to be a young woman in a world of overbearing cultural expectation.

 Good Girls Marry Doctors is filled with honest stories, difficult and joyous, heartbreaking and hilarious, from a diverse array of powerful women. These narratives combine to expose struggles that are too often hidden from the public eye, while reminding those going through similar experiences that they are heard, and they are not alone.

 Contributers: Ankita Rao, Ayesha Mattu, Fawzia Mirza, Hema Sarang-Sieminski, Jabeen Akhtar, Jyothi Natarajan, Leila Khan, Madiha Bhatti, Mathangi Subramanian, Meghna Chandra, Natasha Singh, Nayomi Munaweera, Neelanjana Banerjee, Phiroozeh Petigara, Piyali Bhattacharya, Rachna Khatau, Rajpreet Heir, Roksana Badruddoja, Sayantani DasGupta, SJ Sindu, Sona Charaipotra, Surya Kundu, Swati Khurana, Tanzila Ahmed, Tara Dorabji, Tarfia Faizullah, and Triveni Ghandi.

This collection is filled with stories that put into words the feelings and struggles that isolate daughters of the diaspora. ... There is pain. There is trauma. There is also humor and hope. In short: there is truth. Every story, every word comes from a place of vulnerability and pain — from a struggle toward self-understanding and self-acceptance. These are the voices of women who have fought to be themselves and who have chosen to come back to their pain in order to offer a helping hand to the young girls and women who still inhabit that painful space.  —Karen Marrujo, Poetry International