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From Fingers to Digits (An Artificial Aesthetic)

List Price: $50.00
SKU:
9780262039628
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  • Product Details

    Author:
    Margaret A. Boden, Ernest A. Edmonds
    Series:
    Leonardo
    Format:
    Hardcover
    Pages:
    392
    Publisher:
    MIT Press (July 16, 2019)
    Language:
    English
    ISBN-13:
    9780262039628
    ISBN-10:
    0262039621
    Weight:
    29.2oz
    Dimensions:
    7.38" x 9.31" x 0.96"
    Case Pack:
    10
    File:
    RandomHouse-PRH_Book_Company_PRH_PRT_Onix_delta_active_D20260617T073119_156615772-20260617.xml
    Folder:
    RandomHouse
    List Price:
    $50.00
    As low as:
    $38.50
    Publisher Identifier:
    P-RH
    Discount Code:
    A
    QuickShip:
    Yes
    Audience:
    General/trade
    Country of Origin:
    United States
    Pub Discount:
    65
    Imprint:
    The MIT Press
  • Overview

    Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence.

    In From Fingers to Digits, a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies—photography and film—have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not? Is writing a computer program equivalent to painting with a brush?

    Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays.