From Face to Face (Recarving of Roman Portraits and the Late-Antique Portrait Arts. Second, revised edition)
List Price:
$181.00
- Availability: Confirm prior to ordering
- Branding: minimum 50 pieces (add’l costs below)
- Check Freight Rates (branded products only)
Branding Options (v), Availability & Lead Times
- 1-Color Imprint: $2.00 ea.
- Promo-Page Insert: $2.50 ea. (full-color printed, single-sided page)
- Belly-Band Wrap: $2.50 ea. (full-color printed)
- Set-Up Charge: $45 per decoration
- Availability: Product availability changes daily, so please confirm your quantity is available prior to placing an order.
- Branded Products: allow 10 business days from proof approval for production. Branding options may be limited or unavailable based on product design or cover artwork.
- Unbranded Products: allow 3-5 business days for shipping. All Unbranded items receive FREE ground shipping in the US. Inquire for international shipping.
- RETURNS/CANCELLATIONS: All orders, branded or unbranded, are NON-CANCELLABLE and NON-RETURNABLE once a purchase order has been received.
Product Details
Author:
Marina Prusac
Format:
Paperback
Pages:
22
Publisher:
Brill (June 22, 2016)
Imprint:
Brill
Language:
English
Audience:
Professional and scholarly
ISBN-13:
9789004529663
ISBN-10:
9004529667
Weight:
12oz
File:
TWO RIVERS-PERSEUS-Metadata_Only_Perseus_Distribution_Customer_Group_Metadata_20260916163457-20260916.xml
Folder:
TWO RIVERS
List Price:
$181.00
Country of Origin:
Netherlands
Pub Discount:
35
As low as:
$171.95
Publisher Identifier:
P-PER
Discount Code:
H
Overview
This book is based on an investigation of more than 2000 portraits of which around 500 have proven to be recarved. It provides thorough analyses of the different recarving methods, some of which can be attributed to geographically localized workshops, establishing classifiable categories, and an analytical text with special regard to the cultural historical changes in Late Antiquity. The investigation underpins a hypothesis on the late antique portraits style as a consequence of the many recarved portraits at the time, which relied on a syncretism of politics, religion and ideology. The conclusion gives a new understanding of how broad-scoped, culturally and politically encoded and comprehensive the practice of recarving was.








